JUST A SMARTER ANIMAL
- a story by Darcy Moore
The underground stadium lay in a vast cavern, seating 40 000 people. Set on massive metal springs and covered by a mountain of steel and reinforced concrete two hundred metres below ground it was, logically, impregnable. But logic meant nothing here. Only remembered death.
"Distractions, that's the answer," he muttered. From his position high in the stands Tony Rafferty focused on the technical aspects of the shudders- seismic waves travelling through the earth's crust, speed determined by the medium. The distance wasn't far enough to make much difference here, but the springs did.
The vibrations and the sirens stopped abruptly, almost synchronised. Gratefully, Rafferty discarded his rusty physics and steeled himself to endure the now audible whimpering. But he was empathetic.
Like them he had lived his life under treacherous skies, rattled by a peal of thunder or an overhead shadow. Never any other warning. You heard the explosions and ran to the designated Mother where the city took you safely into its body.
In the
business area where, at times of attack, buildings poured
out their contents spermlike, the Cervix was necessarily
the width of an avenue. It sloped down to a huge platform
which descended to the Womb. The platform now stood bare
at the open end of the stadium.
Rafferty
barely registered the suffocating rose smell before it
overwhelmed him. He sank, stunned, with the pain of
disembowelment, then screamed under a flood of images -
of death and conflagration, charred bodies of
grandparents, parents, broken stumps of buildings,
craters. Wails, shrieks, curses forty thousand fold shook
the stands to their metal roots.
Then a
sharp pine fragrance, detoxifying.
Rafferty
found himself standing with his shirt ripped open, deep
scratches on his chest and his torso knotting and
unknotting in spasms. His mouth opened and closed
soundlessly. Saliva clung in strings down his cheek. He
unclenched his fists and stared, fascinated by the flesh
and hair clinging to his fingernails.
A cry
stirred him. Along his row people lay splayed and curled
and folded, partially clad. Some were naked. A very few
stood like him. He saw a broken nose, a hand clutching a
mass of hair, a throat gouged to the bone. Blood seemed
to ooze from infinite sources. He stopped looking.
When the
keening began he closed his eyes, pressed palms across
his ears and forced his wife Jessica into his mind,
moulding the cheeks to make them smooth, whitening the
flesh to unsully it. He kneaded and kneaded her contours
until they flowed under his palm. His children, beyond
this adult corruption, came more easily. He pictured them
on a tree swing in the sedate, safe, Eastern Suburbs
among recently retired folk who were very protective of
the young family. He felt sympathy now for his peers who
had followed expectations and begun their families in the
new strident and characterless Western sector.
The
torment had eased to sporadic sobs. His eyes opened on a
chilling stillness, tier upon still tier. Flesh drew
deeper into stone with each body that fluttered
haphazardly.
From
their positions around the base of the stands protectors
glided up the stairs, along the aisles and removed the
dead or the broken. Working calmly and dressed in black
satin body suits with a large golden insignia in the
shape of two cupped hands emblazoned over the heart, they
were reassuring.
In the
row to Rafferty's front a head hung lifelessly over the
backrest. A woman about fifty. She reminded him of his
mother. He began to weep but was checked by the pungent
odour of voided bowels.
The smell
spread quickly outwards, mingling with that of the vomit.
Angrily Rafferty sprang to his feet. "Shut up, shut
up! Stop it, stop it!" A few faces turned dumbly but
most were oblivious.
The
air cleared abruptly under a surge of musk. Two
protectors gently lifted the corpse and carried it
gracefully along the wide row, and down the stairs, a
hypnotic ripple of heads marking their progress.
At the
foot of the aisle they filed into one of a series of open
hatches facing outwards from the oval-shaped centre at
regular intervals. Rafferty watched impassively now as
many such rituals were played out around the stadium.
A
voice, deep and triumphant, boomed overhead, "The
terrorist attack is crushed. We have destroyed their
assault vehicles and their armaments. We have executed
all surviving terrorists."
Sudden
cheering and exultation swept him up helplessly. He
screamed too, rasping his throat to a faint hiss until it
faded, likewise, into a sepulchral silence.
The
fatherly voice resumed solemnly. "We have taken
heavy casualties in the eastern suburbs. The following
streets suffered direct hits and their inhabitants, our
fellow citizens and your loved ones, have perished."
A massive
triangular prism rose from the centre of the field and
displayed, in the bright spring colours of the world
above, a suburban wasteland. 'Eastern suburbs'. They were
the only words he heard. The rest were a muddle of echoes
beyond his comprehension.
But he
saw the Life Studies Tower, two streets from his house,
sheared half way and standing like an island in a volcano's
crater. He slumped forward.
*
* * * * * * * * * * * * *
The
voices echoed in the white room, "Die, die."
And they died, with the ancient song of sirens on their
lips shrieking into dreams of salt spray and steely,
winter oceans, into nothingness. Time was white and,
white-sheeted and still, they were wheeled away dignified
only by their sex, by the breast mound with its muted
nipple, and the flaccid hump below the pelvis.
The
voices redoubled with pleading, "Die, die." But
he would not die.
A face
leant close to his, warming his cheek with its breath.
"He's too stubborn. Put him out of misery."
"No.
Leave him." Another voice, deep and sure. "He
could be useful. We rarely get this opportunity."
When his
dream broke. He was in a large white-walled room, among a
grid of white beds; empty, but for his.
*
* * * * * * * * * * * * * * * * * *
By the
time Rafferty left TEAR (Tragedy Encounter And Recovery)
the city had shed its mourning clothes. As he was driven
through the streets he sensed a buoyant energy.
Instead
of returning to the DDC (Diet Development Centre) where
he had worked as a food chemist his entire adult life, he
was directed to the IMR (Institute of Metabolic Research).
"Understand, Tony," the TEAR parent had said,
"few survive a psychological ordeal like yours. Your
peers have mourned you and believe you to be dead. Your
return would be very traumatic for them, and for you."
At the
new building he saw many young, zealous faces. He
considered the irony - seven years earlier after a
terrorist attack had obliterated most of the north-west
sector, and his parents, and a half million others, he
had eagerly expunged his grief in the massive rebuilding
and remodelling of his culture. It was a heady, and
fortuitous, introduction to adult life.
Through
that work day and the legion that followed, his body
performed adequately but his brain lived independently,
with only one focus - terrorists.
This
obsession was both a poison and an antidote: it had
almost destroyed him, yet now it sustained him. In TEAR
he nurtured this hatred for his family's executioners,
and set himself to find everything relating to terrorists.
The LEC (Life Education Console) became his lifeline.
********************************************************
Rafferty
was also directed to new living quarters. This was much
harder than changing work places, for it emphasised his
rootlessness and isolation. So, with a sense of dread he
stood before a singles' centre, one of a ring enfolding
the inner city. It rose torpedo-shaped and smooth, except
for small opaque windows which marched in military
fashion, towards the cone-shaped apex. The phallic
symbolism once personified him and his generation -
potent, thrusting and aggressive. Now it seemed brutal
and mindless.
He stood
in the designated pavement square and pressed the
electronic key issued to him; metal glided into its
lubricated sheath. He stepped onto a soft, spongy surface,
and removed his shoes. He gasped involuntarily as waves
of kneading, plying relaxation pulsed up his legs and
coursed through his crotch.
But
instead of pleasant arousal he felt violation. His mind
swung discordantly, "Thrills for little boys ...
electronic whores ... synthetic bitches.."
"Welcome
home Tony!"
"..
technological jerkoff ..! What?"
He
breathed deeply, allowing his body to acclimatise to the
sensufloor, and faced the speaker. A wine-red uniform -
it was as if he'd been demoted, as if everything was
conspiring to erase the last seven years, and their
inhabitants, from his soul.
"This
isn't my home, and I don't even know you!" It came
out as a bitter snarl.
The man
was unperturbed. "That's alright Tony. You're
disoriented, and feeling resentful. It's to be expected."
Rafferty stood watching him, still seething, not trusting
his tongue.
"I'm
Harry Michaels, Custodian," the man continued.
"I'll show you to the floor you'll be sharing, and
your unit." Rafferty hesitated then, out of habit,
followed quietly.
They rose
in the elevator. "As you may remember Tony we don't
have separate accommodation. But the young men and women
in your unit will respect your wishes, and won't intrude
on you."
"Good!"
The lift
stopped and the doors opened onto an wide foyer. Along
one wall stood a single LEC and a dozen PECs (Personal
Entertainment Consoles), all occupied. Beyond were
transparent doors fronting the unit lounge.
"Hello
Harry!" The young faces spoke with affection but
swivelled to Rafferty with curiosity. He ignored them.
The
custodian took his arm firmly as they approached the
glass doors. It was like TEAR, another Father figure with
the same clinical grip. "Take your hand off me!"
Heads
looked up from chairs and conversations and the man
reddened. His eyes narrowed momentarily before he
affected a rueful smile and shrugged to his wards. But he
let go.
Michaels
stopped for a moment inside the sliding panel to Rafferty's
private unit. "It wouldn't be wise Tony, to spend
too much time on your own." He spoke with concern.
"You'll find it healthier, being around other young
people."
Other
young people! Rafferty shrugged. It was an academic
statement. Seven years, two terrorist attacks, two
millennia. Then Rafferty realised what was so peculiar
about the man.
"Mr
Michaels, why are you still working. You must be at least
.."
"Sixty-six
actually. And call me Harry, I prefer it." He
stopped smiling. "I lost my wife in a terrorist
attack. I should have gone too, but I had business in the
city." He turned and left. Rafferty began to
collapse empathetically inside, but propped himself up
with a disturbing thought - "How did Michaels
survive?"
*****************************************
Despite
overtures from Michaels, Rafferty refused more than a
functional relationship. Running into him was unavoidable
- he was always there when Rafferty left for work, and
returned in the evenings. Also when Rafferty worked late
at night on the LEC he would look up suddenly to see the
old man sliding silently past on his rounds to check air,
food and energy systems. If he was on the LEC just before
dawn Michaels would pass again on his way to supervise
the service staff in the cleaning of quarters and
replenishment of food.
For
different reasons Rafferty also had minimal contact with
"the kids". They quickly came to accept his
eccentricities - ignoring his brusqueness and treating
him with tolerance and deference. Sometimes one or two
would stand, watching him at the LEC. At first he would
turn and glare at them, but their presence was so
unobtrusive he grew to accept them.
As for
the LEC, it continued as the focus for his existence. It
denied him nothing, for its electronic circuits were a
magical pathway winding effortlessly, like veins, through
the body of recorded human endeavour. Over the following
weeks his work at the IMR, his eating and his sleeping
became autonomic such was his compulsion to see the true
character of the world that nurtured him. Each night more
features of an alien landscape took form, fleshed out
with words, coloured with economic and demographic
statistics. This landscape was cruel, enamoured of death
and watered by black springs. It was hard to reconcile
with the immaculate towers and forested hills gracing his
window, or the gentle, beautiful faces and bodies moving
elegantly about him. But it explained life, and death,
perfectly.
On the
last night he stopped shortly after midnight, and sat
helplessly before the blank screen, his mind racing in
circles of terror and impotence.
"Well,
have you finished?" The voice was quiet, just behind
him.
"Shit!"
Instinctively he swung around in his chair, throwing out
a leg.
Harry
Michaels jumped back with surprising agility. For his
part Rafferty was surprised by his own violence.
"You
never know what you're capable of Tony."
Rafferty
looked at him quizzically. "I didn't hear you come
up Harry. It's a bit early for you isn't it?"
"Not
really. Not long to daybreak," which was true enough.
Few stars were visible in the sky. "Well, the
terrorists, you know all about them?"
"I
know almost nothing about them. There's no information
about their organisation, or even any individuals in it.
But I do know about ..". Rafferty paused, the
custodian was watching him intently. "History,"
he said lamely.
"History,"
Harry Michaels repeated slowly, with a smile. "You
look a real mess Tony. Why don't you start looking after
yourself. You don't need this," he gestured towards
the LEC, "anymore." He turned and walked
towards the lift.
That
evening at the communal meal hour Rafferty walked into
the common room, sat at the space reserved for him at the
communal table and, began to make polite conversation.
*********************************************
It was
a brilliant Winter's night - etched with cold and sharp
with stars. As usual, by the time Rafferty left the GET (Group
Experimental Theatre) with a young female the other
couples had long returned home. As usual too, he was
mildly drunk. The city was dark except for muted pavement
lights, and several city blocks lay before them. He took
a deep, sobering draught of the chill air and threaded
his arm through his companion's. She was badly in need of
support.
"This
way Anne."
"Hell
it's cold Tony. I should have worn something warmer."
"Here."
He took off his greatcoat, a treasured fashion of the
last century and his winter trademark. He pushed her arms
through it.
She
opened the front and pressed her body against his in
gratitude. "Some of them say you're crazy, but I
think you're a real gentleman," she murmured against
his cheek.
"A
crazy gentleman." He smiled in the dark, and felt a
twinge of the old tenderness he associated with Jessica.
"We've
got a fair way to go, and we work in .. no it's this
morning." He wrapped her up again and steered her
along the footpath.
A block
short of home he stopped. "Did you hear something?"
She mumbled unintelligibly. He strained to read the
shadows, but couldn't penetrate as far as the edges of
nearby buildings.
Next time
he heard it clearly, a metallic sound, directly ahead of
them. He could make out a human form. Suddenly he was
staring at a face in torch light, wearing a balaclava. He
stood hypnotised. On posters, screens, in books he had
seen that face of death a thousand times. The light
switched off abruptly, and with it the spell. He swung in
a desperate effort to push Anne clear. In instant
illumination he saw a lock of her hair fall forward from
under the coat's collar, and watched her head slump as he
heard a muffled pop. Behind her a dark halo materialised
around the outline of her shadow. Then the light was gone.
Unhurried steps walked away.
He felt
the abrupt weight of Anne's body and, easing her onto the
pavement, knelt beside her. Rousing himself he touched
her face, pushing the locks back behind her neck. He felt
for a pulse on her neck, then pressed his cheek under her
nose. He was afraid to touch her anywhere else, but there
was no point. Crying silently for the sacrilege, he knelt
cradling her head.
The
lightening sky, that and the ice that knotted and hurt
every part of him, pushed him into decisions. Kissing her
cheek, now as cold as the pavement, he ran to his unit.
In the shower he felt secure and clung to it's sheltering
heat until logic drove him out. Dressing in warm, light
clothes he walked to the lift. He had no plan but was
gripped by an urge to run, to get away.
Harry
Michaels was in the foyer. Was he waiting? He looked
slightly unsettled. "What are you doing here Tony?"
he said in a brusque, authoritative voice. Then he
appeared to compose himself, "It's an unusual time
to be going out Tony. And you're not dressed for work."
"I'm
restless Harry." He tried to keep the tremor out of
his voice, and strode for the door before Harry could
respond.
Once
outside Rafferty realised how vulnerable he was. Everyone,
everything had a function it seemed, but him. He was a
solitary figure on the streets at this hour, an oddity;
and hands and contorted faces pressed the misted windows
of early workers' vehicles. Soon the hum of their motors
became a rapid staccato rhythmic. In rising panic, he
quit the main thoroughfares. Walking quickly, he made for
an area of unoccupied buildings targeted for destruction,
in an ageing part of the business centre.
The
sun was half way across its winter arc when he neared a
clothing factory. Startled by a loud crackling sound he
stopped before the entrance.
A
familiar, fatherly voice boomed out, "Citizens we
have suffered a cowardly attack by the Terrorists. They
have plunged a dagger into the very heart of our city,
and violated the sanctity of our homes." A gasp of
horror rose from the mesmerised workers. The voice waited
for effect, then continued, "While you slept our
forces fought and defeated our enemies. All have been
killed in battle, or captured and executed."
Rafferty
leant forward to see workers clustered around a large
overhead screen where a dozen bodies lay in black,
wearing balaclavas. Rafferty shuddered involuntarily.
"Unfortunately
a number of our innocent fellow citizens have died at
their merciless and indiscriminate hands." On the
screen was a picture of a woman in her bed, a red stain
across her chest. Then a man slumped in a shower stall.
Also a man at a console, and one naked in a pleasure
cubicle with his lower abdomen unrecognisable. One after
the other the pictures filled the screen with their
bright colours, fuelling the workers' hysteria.
Then he
saw the form of Anne, still in his greatcoat. She'd been
moved to the footpath outside their singles unit. Her
hair and face were arranged to highlight her youth and
beauty. Rafferty let out an involuntary cry, but the
voice covered him. " .. of particular callousness
the murder of an eighteen year old girl, returning from a
social evening. She had almost reached the sanctuary of
her peers when .." Rafferty turned and hurried on.
Each step
became harder as he fought against the fatalism, now
fuelled by guilt. He wanted to walk into a building and
throw himself on the mercy of his people; but his people
knew nothing and could do nothing. No, he was already
dead, his name and his place no longer existed; it only
remained to dispose of the corpse. Then the realisation
he at least was not an ignorant victim, that he would die
knowing the truth began to cheer him. Besides, he did not
think he wished to live anymore.
When
Rafferty reached the first vacant building he hurried up
a staircase to the fifth floor, and settled in what had
once been an office. It overlooked a large park, beyond
which was the new city centre swarming with movement and
muffled noise. He shut the door and, methodically, broke
apart a wooden chair making several wedges to push under
the door. Throwing himself down on the mouldering carpet
he closed his eyes.
It was
almost dark when he woke.
Rafferty
lay still until the cold, the hunger, the soreness
convinced him of his whereabouts. He rose on one elbow,
then shuddered - a burly human figure sat beside the
western window, lighted by the last of the sun.
"Hello
Tony." It was familiar.
"Harry?"
"No
Tony, Emmanuel. Emmanuel Stokes." The voice remained
neutral, with no pretence of camaraderie. But it was
Harry's voice.
Coming
out of sleep into the half light Rafferty felt he was
without substance. He shivered and clawed at the fibre of
the old floor covering until his fingernails pained, and
the flesh tore.
"You
know Tony, you really should be dead." Rafferty
eased himself into a crouching position.
"Who
are you anyway?"
A light-sensitive
unit switched on, in the centre of the room. It's
brilliance jolted Rafferty. Jerking to his feet he looked
quickly to the window. The man had risen and was skirting
the room, towards him. He stopped. It was Harry's face,
but the eyes were passionless - bright and fixed. He wore
clothes identical to that of a protector, except for the
chest insignia - a striking silver hammer. The clothes
accentuated a large, muscled body. He was acutely
conscious of the fragility and preciousness of his own
body.
"Yes
I'm a protector, Tony. A true protector. I protect our
children," and he waved an arm behind him to
indicate the city, "from accidents. You, Tony, are
an accident. Or perhaps experiment is a better word."
"But
I can't hurt you!" It came out as a defensive whine.
Disappointed in himself he stood up and turned a defiant
face to the man.
A short,
humourless laugh. "Maybe not today, or this year.
Maybe never. But we don't take chances, Tony."
The face
drew closer. The jowls were set in a determined manner,
the muscles flexed on the thick neck.
"Who
is we? How did you find me? .. What, what happened last
night ... all those murders? .. Who are the terrorists?"
Rafferty didn't care now, but words seemed his only
protection across the short space. The neck muscles
relaxed a little into the familiar smile.
"Always
the inquirer Tony, I knew you'd dig your grave. There's
an old custom, to grant the condemned a last request. So
I'll tell you, and then I'll kill you. I like you Tony,
maybe because you're such a sour little shit, and you've
been getting complicated lately, but .." and he
shrugged.
Rafferty
trembled, too agitated to concentrate fully on the words
of the executioner. In a state of animal fright he
flickered through days and moments, conjectures, looking
for logic, forgiveness, escape - finding none.
"..
first question ..", Harry droned in his undulating
style.
The door,
how did he get in the door?
" ..
no more than 100 at any one time. We are chosen by our
predecessors who look for particular qualities .."
Did he
make it up, his family, or is that a prerequisite, a
sacrifice?
"..
receive lists, dossiers, then we act autonomously - our
training is quite thorough - to gain the trust of our
subjects, and document .."
He's been
spying on me. They wanted me to die in TEAR. It's been
set up, I've been set up.
"..
coordinate our efforts when we have a sizeable spill.
Like last night. Your third, fourth and fifth questions.
You were mostly survivors, psychologically speaking, from
the last terrorist holocaust, not quite ready to be
disposed of from TEAR, in the usual way .. "
How many
others were there like me? How often do they do this.
"..
we swap so we don't kill our own subjects. You see some
of us get rather attached to them. That's why the mistake.
Now if you hadn't have been such a gentleman that poor
girl wouldn't be dead. But it made a great splash, so it
worked out .."
I didn't
kill her. No I didn't. It was these, these ....
"...
Terrorism keeps the balance in our system. You see the
human is just a smarter animal so they need a sop for
their intelligence. We give them a common enemy and we
get rid of so many problems. First of all they want a
father figure to protect them and reassure them, so we
have the whole culture, a communal father if you like.
You throw in enough fear and uncertainty that they cling
the harder ..."
But who
or what is controlling this, and organising this?
"...
it's simply a question of economics. You never let a
beast age, or get weak or infirm or it becomes
unproductive and consumes valuable resources. Culling.
Nice word that. "
Culling, culling, culling - the
word reverberated in Rafferty's brain.
"
... take out the old ones in one hit, and at the same
time we get the ones who crack, the sickly ones. Like in
the Mother, Tony. They come back to the Womb to die.
Fitting eh? And it gives the rest of you a big turn on. A
bit of primal therapy occasionally. Let it all out and
you feel a lot ..."
Of course
it's a ritual, time after time. And we go through with it.
Is he right, do we like it?
"...
more food and jobs to go round, areas regularly cleared
for new housing, always a young and vigorous population,
a guaranteed high level of demand for goods and services,
no land or facilities wasted on the dead, no basis for
ancestor worship. It's so logical, beautiful really. We
learnt it from some logical thinkers in the past you know,
Adolf Hitler, Josef Stalin ..."
Why didn't
I make the connection?
"..People
went meekly to their deaths. They thought no one would
really want to kill them. We've learnt much since then.
We do it on a global scale and ...."
We. we,
we. He keeps saying we. What is this man? What are the
other Harrys? How did we spawn such creatures? How did
they get this power in the first place?
"..
Of course you should never have been in that situation.
But living among old people, well! Some young people have
peculiar notions. It's best you all go together, but
these things can't be helped. They even have their
advantages. It was your youth that saved you you know
.."
Saved me?
I should have died in ignorance.
"..
finally question two. You were my responsibility. But I
had no trouble tracking you. We know every place you
passed, the route. You stood out like balls in a harem.
You're just children, all of you.."
Babies,
babies, he's right.
"....but
I didn't need that. Your shoes you see. Every step
.."
Rafferty
watched the neck muscles swelling again. The stomach drew
in - it would be hard and flat under the satin. The
thighs flexed; a machine of sinews, honed flesh. The
machine moved, but Rafferty's body didn't want to be
destroyed. His instincts flung it sideways, spun it and
launched it at the doorway. The big man grasped at air.
The stair
well was dark, and the thin body sprang into safety but
was deceived, the dark had no substance. It clutched at
the rail, but the metal slipped away before the fingers
could wrap, and it was falling. The momentum took it
across the cavity, onto the descending staircase. The
legs buckled under the impact and it pitched forward into
a cement wall. Wetness seeped out of it, into it. And it
was scraped up and thrown over a shoulder. It was aware
of a huge chasm, a dark wilderness. Then the sound of
wind.
Pain. His
eyes struggled to open, but were glued with crusted blood.
Inching fingers into his mouth he smothered them with
saliva and softened the crust. His eyes broke open into
more pain from the natural light forcing its way through
the dirty window. Then he became aware of the stiffened
corpse under him.
He pulled
himself away, and examined his injuries - a sprained
ankle, a sore head, a cut and bruised face. Only then did
he consider his surroundings.
They were
on the ground floor. The body lay in the centre of the
stairwell, head askew, neck broken. Ironically Harry had
cushioned his fall and saved his life. He tried to find
some reason above him - a snapped rail or a missing
section. Nothing. Crawling over to Harry he examined the
body - the face was twisted, the neck and jaw were
cemented in a death spasm, the arms were rigidly straight
- not splayed or turned randomly as they should have been.
A heart
attack? After all, Harry was overweight and well past the
generous retirement age of 50. It was rare in a society
where no one lived long enough to die from degenerative
diseases. Culled naturally! He broke into an hysterical
laugh.
But an
animal cunning, clawing up through layers of conditioned
passivity, cautioned him. He stopped abruptly, removed
his shoes and tore at the soles.
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