|
IMANTS TILLERS: CV
Biography
1950 Born Sydney, Australia
Currently lives and works in Cooma, NSW
1969-72 Bachelor of Science in Architecture (Hons), University of Sydney
Solo Exhibitions
1973 Moments of Inertia, Watters Gallery, Sydney
1974 Link Exhibition (No 1): Still Life 2, Art Gallery of South Australia, Adelaide
1978 Have you ever been taken the same way?, Royal Melbourne Institute of
Technology, Melbourne
The Church and The Cross (with John Nixon), n-space, Kassel, Germany
1983 White Aborigines, Matt's Gallery, London
1984 Bess Cutler Gallery, New York
1985 Bess Cutler Gallery, New York
1986 42nd Venice Biennale, Australian Pavilion, Corderie at the Arsenale, Venice
1987 Paintings for Venice: Australia at the 42nd Venice Biennale, Queensland Art
Gallery, Brisbane; Australian Centre for Contemporary Art, Melbourne; Art Gallery of
South Australia, Adelaide
Australian Appropriations: The Recent Paintings of Imants Tillers, Vollum
Center Gallery, Reed College, Portland, Oregon, U.S.A.
Bess Cutler Gallery, New York
Galerie Susan Wyss, Zurich
1988 Imants Tillers: 1978-1988, Inst of Contemporary Arts, London; The Third Eye Gallery,
Glasgow; Orchard Gallery, Derry, Northern Ireland
1989 Imants Tillers: 1930i, National Art Gallery, Wellington; Govett-Brewster
Gallery, New Plymouth, New Zealand; Bess Cutler Gallery, New York
1992 A Life of Blank, Plimsoll Gallery, Hobart; Monash University Gallery, Melbourne;
Orange Regional Gallery, Orange; Queen Victoria Museum and Art Gallery, Launceston
1993 Diaspora, National Museum of Art, Riga, Latvia
Five Pollock Paintings, Peter McLeavey Gallery, Wellington
1994 Diaspora, Institute of Modern Art, Brisbane
Telepathic Music, Michael Milburn Gallery, Brisbane
Jump, Sherman Galleries Goodhope, Sydney
1995 Via Paradiso, Karyn Lovegrove Gallery, Melbourne
Diaspora in Context: Connections in a Fragmented World.
Imants Tillers makes a painting by Georg Baselitz, Joseph Beuys, Bernhard Blume, Carlo
Carra, Giorgio de Chirico, Mike Kelley, Vytautas Landsbergis, Colin McCahon,
Arnulf Rainer, Nicholas Roerich and Isidore Tillers, Pori Art Museum, Pori, Finland;
Museum of Contemporary Art, Sydney; Govett-Brewster Art Gallery, New Plymouth;
Waikato Museum and Art Gallery, Hamilton, New Zealand
1996 Imants Tillers, Gow Langsford Gallery, Auckland
1997 The Enigma of Arrival, Sherman Galleries Goodhope, Sydney
1998 Prayer for Rain, Raglan Gallery & Cultural Centre, Cooma
A Monumental Tribute, Museum of Modern Art at Heide
1999 not yet postAboriginal, SPAN Galleries, Melbourne
Nature Speaks, Sherman Galleries, Sydney
Towards Infinity: Works by Imants Tillers, Museo de Contemporaneo Monterrey, Mexico
2000 Imants Tillers. Sherman Galleries Hargrave, Sydney
Imants Tillers, Greenaway Art Gallery, Adelaide
2
Group Exhibitions
1969 Wrapped Coast (with Christo), Little Bay, Sydney
1970 Contemporary Art Society Annual Exhibition, The Blaxland Gallery, Sydney
1973 Object and Idea, National Gallery of Victoria, Melbourne
Sculpturescape'73 (Fifth Mildura Sculpture Triennial), Mildura
Recent Australian Art, Art Gallery of New South Wales, Sydney
1974 Gifts from Patrick White, Art Gallery of New South Wales, Sydney
The Wynne Prize, Art Gallery of New South Wales, Sydney
1975 The Phillip Morris Arts Grant, National Gallery of Victoria, Melbourne
13th Bienal de Sao Paulo, Brazil
Conversation with the Bride (South American Tour of Australian Works in Bienal de Sao Paulo)
1976 Post-Object Art in Australia and New Zealand, Experimental Art Foundation, Adelaide
1978 Artists' Books: Book Works, Ewing and George Paton Gallery, The University of Melbourne;
Experimental Art Foundation, Adelaide; Institute of Modern Art, Brisbane; Franklin Furnace, NY
1979 The Work and its Context, Australian Embassy, Paris
3rd Biennale of Sydney: European Dialogue, Art Gallery of New South Wales,Sydney
1981 Australian Perspecta 1981: A Biennial Survey of Contemporary Australian Art, Art Gallery of NSW
John McCaughey Memorial Prize (winning entry), National Gallery of Victoria, Melbourne
Three Rejected Entries: Wynne, Sulman and Archibald Prizes, Art Projects, Melbourne
The Beacon, n-space at Cremorne Point, Sydney
Frankfurt Book Fair, Frankfurt
1982 Eureka! Artists from Australia, Serpentine Gallery, London; Institute of Contemporary Arts, London
Popism, National Gallery of Victoria, Melbourne
Documenta 7, Kassel
1983 Project 40: Australian Artists at Venice and Kassel, Art Gallery of New South Wales, Sydney
Masterpieces: Out of the Seventies, Monash University Gallery, Melbourne
Tall Poppies: An Exhibition of Five Pictures, University Gallery, The University of Melbourne,
Recent Australian Painting: A Survey 1970-1983, Art Gallery of South Australia, Adelaide
VOX POP: Into the Eighties, National Gallery of Victoria, Melbourne
George Baldessin: Sculpture & Etchings: A Memorial Exhibition, National Gallery of Victoria, Melborne
Tribute to Mervyn Horton, Art Gallery of New South Wales, Sydney
1984 Form Image Sign: Survey of Contemporary Australian Art, no 3, Art Gallery of Western Australia,
An Australian Accent: P.S.1., New York; Art Gallery of Western Australia, Perth
Art Gallery of New South Wales, Sydney
Accents/Expressions, The Corcoran Gallery of Art, Washington D.C.
Synthetic Art, Harm Bouckaert Gallery, New York
New Work, Bess Cutler Gallery, New York
1985 Production: Re-Production, Gallery 345, New York
Two Worlds Collide: Cultural Convergence in Aboriginal & White Australian Art, Artspace, Sydney
Dot and Circle: A Retrospective Survey of the Aboriginal Acrylic Paintings of the Western Desert,
Royal Melbourne Institute of Technology Gallery, Melbourne
Group Show, Svetlana Achatz, Munich
Little Works by Big Thinkers, Bess Cutler Gallery, New York
Still Life, Art Gallery of New South Wales, Sydney
Seeing is Believing: Travelling Art Exhibition 1985, Art Gallery of New South Wales, Sydney
1986 Contemporary Issues 111: Works from the Collection of Robert and Nancy Kaye,
Holman Hall Art Gallery, Trenton State College, New Jersey
6th Biennale of Sydney: Origins, Originality and Beyond, Art Gallery of New South Wales, Sydney
Investigations, McIntosh-Drysdale, Washington DC
When Attitudes Become Form, Bess Cutler Gallery, New York
Group Show, Stavaridis Gallery, Boston
1987 Modern Art Since 1984, Nexus Contemporary Art Center, Atlanta, Georgia
Avant Garde in the Eighties, Los Angeles County Museum, Los Angeles
Australia: Art and the West, Art Gallery of New South Wales, Sydney
Painters and Sculptors: Diversity in Australian Art, Queensland Art Gallery, Brisbane
Contemporary Australian Art, Museum of Modern Art, Saitama, Japan
Field to Figuration: Australian Art 1960-1986, National Gallery of Victoria, Melbourne
The Australian Bicentennial Perspecta, Art Gallery of New South Wales, Sydney;
Art Gallery of Western Australia, Perth; Frankfurter Kunstverein, Frankfurt; Wurttembergische
Kunstverein, Stuttgart
Hybrid Products, S.L. Simpson Gallery, Toronto
Heroics, Walter Philips Gallery, The Banff Centre, School of Fine Arts, Banff, Alberta
State of the Art, Institute of Contemporary Arts, London
3
Group Exhibitions continued
1988 Creating Australia: 200 Years of Art 1788-1988, Queensland Art Gallery, Brisbane
Art Gallery of Western Australia, Perth; Art Gallery of New South Wales, Sydney
Tasmanian Museum and Art Gallery, Hobart; National Gallery of Victoria, Melbourne
Art Gallery of South Australia, Adelaide
Edge to Edge: Australian Contemporary Art to Japan, Museum of Art, Osaka
Hara Museum of Contemporary Art, Tokyo; Nagoya City Art Museum, Nagoya
Hokkaido Museum of Modern Art, Sapporo
Advance Australian Painting, Auckland City Art Gallery, Auckland
Stories of Australian Art, Commonwealth Institute, London
1988 Australian Biennale, Art Gallery of New South Wales, Sydney; National Gallery of Victoria, Melb
Redux: Michael Bidlo, Sherrie Levine, Doug Heubler, Phillip Taaffe, Richard
Pettibone, Imants Tillers, Maloney Gallery, Los Angeles
Changing Relationship - Aboriginal Themes in Australian Art 1938-88, S.H. Ervin Gallery, Sydney
Italo Scanga, Imants Tillers, Robin Winters, Dorothy Goldeen Gallery, Los Angeles
Pro Museum of Contemporary Art Collection in Finland, Vanhan Galleries, Helsinki
The Archibald Prize, Art Gallery of New South Wales, Sydney; Westpac Gallery, Melbourne
Images of Religion in Australian Art, National Gallery of Victoria, Melbourne
1989 After McCahon, Auckland City Art Gallery, Auckland
American Pi(e), Bess Cutler Gallery, New York
The Archibald Prize, Art Gallery of New South Wales, Sydney
Freestyle: Australian Art 1960s to Now, National Gallery of Victoria, Melbourne
Porkkana Collection, The Old Student House, Helsinki; Titanik Galeria, Turku; The Art Museum
of Hyvinkaa; The Art Museum of Mikkeli; The Art Museum of Kuopio
1990 Information, Terrain Gallery, San Francisco
Balance 1990, Queensland Art Gallery, Brisbane
Institute of Contemporary Arts Sotheby's Benefit Auction, Nigel Greenwood Gallery,
Marlene Eleni, Nicola Jacobs, Victoria Miro, London
Fluctua, Art Dock, Noumea, New Caledonia
L'ÈtÈ Australien ‡ Montpellier, MusÈe Fabre, Montpellier
The Complex Picture, College Gallery, South Australian College of Advanced Education, Adelaide
Art From Australia: Eight Contemporary Views, Gedung Seni Rupa Nasional, Jakarta;
National Art Gallery, Bangkok; Metropolitan Museum of Manila; National Art Gallery,
Kuala Lumpa; National Gallery, Singapore
Shifting Parameters, Queensland Art Gallery, Brisbane
Inland, Australian Centre for Contemporary Art, Melbourne
Osaka Painting Triennale '90, Mydome Osaka, Osaka
Archibald Prize, Art Gallery of New South Wales, Sydney; Blaxland Gallery, Melbourne
1991 Tokyo International Art Show, Tokyo
Porkkana Collection, The Museum of Contemporary Art, Helsinki
Preview Exhibition, Bess Cutler Gallery, Santa Monica
Opening Transformations, Museum of Contemporary Art, Sydney
Cologne Art Fair, Cologne
1992 Light Sensitive, Artspace, Auckland
Imants Tillers, Colin McCahon, Charles Tole, Peter McLeavey Gallery, Wellington
The Living Mandala, Access Gallery, National Gallery of Victoria, Melbourne
1993 Installation and Objecthood, Martin Browne Fine Art, Sydney; Michael Milburn, Brisbane;
Perc Tucker Regional Gallery, Townsville
Looking at Seeing and Reading, Ivan Dougherty Gallery, Sydney; Institute of Modern Art, Brisbane
1993 Imants Tillers, John Young, Dale Frank, Sherman Galleries Goodhope, Sydney
Commitments, Institute of Modern Art, Brisbane; Artspace, Sydney
The Eye, Art Gallery of New South Wales, Sydney
Shaman Summer in Finland, Aineen Taidemuseo, Tornio
Osaka Painting Triennale, Osaka, Japan (Awarded Grand Prize)
Identities: Art from Australia, Taiwan Museum of Art, Taipei, Taiwan;
Wollongong City Art Gallery, Wollongong
1994 25 Years of Performance Art in Australia, Ivan Dougherty Gallery, Sydney
Valsts, Soros Centre for Contemporary Arts, Riga, Latvia
Virtual Reality, National Gallery of Australia, Canberra
Un/Peeled Art, Ballarat Fine Art Gallery, Ballarat
Humanism and Technology: The Human Figure in Industrial Society, National Art Museum, Seoul
Osaka Print Triennale, Mydome, Osaka
Sweet Damper and Gossip - Colonial Sightings from the Goulburn and North East,
Benalla Art Gallery Vic
4
Group Exhibitions continued
1994 Looking at Seeing and Reading, Monash University Gallery, Melbourne
Faces of Hope - Amnesty International, Australia, Art Gallery of New South Wales, Sydney
Prime TV Painting Prize (winner), Newcastle Region Art Gallery, Newcastle
Photosynthesis, Roslyn Oxley9 Gallery, Sydney
1995 Antipodean Currents: Ten Contemporary Artists from Australia, Guggenheim Museum SoHo, New York;
John F. Kennedy Center for Performing Arts, Washington D.C.
Australian Art 1940-1990. From the Collection of the National Gallery of Australia,
The Museum of Fine Arts, Gifu, Japan
Smorgon Collection of Contemporary Art, Museum of Contemporary Art, Sydney
Text and Art, Logan Art Gallery, Logan City, Queensland
1996 Systems End: Contemporary Art in Australia, OXY Gallery, Osaka; Hakone Open-Air Museum, Tokyo;
Dong-Ah Gallery, Seoul; Kaohsiung Museum of Fine Arts, Taiwan
The John Kaldor Collection, Museum of Contemporary Art, Sydney
Colonial Post Colonial, Museum of Modern Art, Heide, Melbourne
The World Over/Under Capricorn: Art in the Age of Globalisation, City Gallery, Wellington
Stedelijk Museum, Amsterdam
Perception and Perspective, Next Wave Festival, National Gallery of Victoria, Melbourne
Rosalie Gascoigne, Robert MacPherson, Jacky Redgate, Rover Thomas, Imants Tillers:
Some works from their present and their past, National Gallery of Australia, Canberra
Osaka Painting Triennale, Osaka Mydome, Osaka
Imants Tillers, Tracey Moffatt, Dale Frank, Geoff Lowe, Karyn Lovegrove Gallery, Melbourne
12th Biennial Prints Acquisitive Exhibition, Mornington Peninsula Gallery Karyn Lovegrove Gallery
Greg Weight Artists' Portraits, Manly Art Gallery and Museum
1996-97 The Century in Art. The Spirit in Australia 1880-1996, Museum of Contemporary Art, Sydney
1997 Objects and Ideas Reinventing Minimalism, Museum of Contemporary Art, Sydney
1997 Anon, Sherman Galleries Goodhope, Sydney
Summer Exhibition, Sherman Galleries Goodhope, Sydney
TOKYO INTERNATIONAL ART FESTIVAL, Tokyo International Forum, Tokyo Japan.
1998 Landscape, Charles Sturt University, Wagga Wagga
Expanse, Art Museum, University of South Australia
Ways of Being, Ivan Dougherty Gallery, University of New South Wales, Sydney
1999 1999 Visy Board Art Prize, Richmond Grove Winery, Tanunda, South Australia
Parr Sachs Tillers Young, Orange Regional Gallery, Orange
1999 Seven Australian Artists, Museum of Contemporary Art, Sydney
Art Chicago 1999 Art Fair, Chicago, United States of America
Home and away, Auckland Art Gallery, Auckland, New Zealand
The Rose Crossing, Brisbane City Gallery, Brisbane
2000 Art & Furniture Charles Nodrum Gallery, Melbourne
From Appeciation to Appropriation : Indigenous Influences and Images in Australian Art 2000
Telstra Adelaide Festival 3-19 March 2000
2001 ARCA Art Fair, Madrid, Spain
Comisssions
1985-87 The Dome of the Federation Pavilion, Centennial Park, Sydney
1990-92 Heritage 200, National Library, Canberra (with Alec Tzannes)
1991 Founding Donors Commission, Museum of Contemporary Art, Sydney
Awards
1993 Grand Prize, Osaka Painting Triennial, Osaka Triennial, Osaka, Japan
1994 First Prize, Prime Painting Prize, Newcastle
Sakai City Prize, Osaka Print Triennial, Osaka Triennial, Osaka, Japan
1996 SCEGGS Redlands Inaugural Prize, Sydney
Bronze Prize, Osaka Painting Triennial, Osaka Triennial, Osaka, Japan
1999 First Prize, 1999 Visy Board Art Prize, Barossa, South Australia
Film and Television
1987 State of the Art: Ideas and Images in the 80s, Channel Four Television, London
Producer - John Wyver
1987 L'Object d'Art a l'Age Electronique, La SEPT, Paris, Director - Geoff Dunlop
1990 Es Esmu Latvietis, Riga Film Studio, Riga, Director - Ansis Epners
5
Collections
National Gallery of Australia, Canberra
Metropolitan Museum of Art, New York
National Gallery of New Zealand, Wellington
Osaka Cultural Foundation, Osaka
Museum of Contemporary Art, Sydney
National Museum of Art, Riga, Latvia
National Gallery of Victoria, Melbourne
Art Gallery of New South Wales, Sydney
Art Gallery of South Australia, Adelaide
Art Gallery of Western Australia, Perth
Art Gallery of Queensland, Brisbane
High Court of Australia Collection, Canberra
Wollongong City Art Gallery, New South Wales
Monash University Collection, Melbourne
Australian Embassy, Paris
Museum of Contemporary Art, Helsinki
Museum of Modern Art at Heide Collection, Melbourne
Auckland City Art Gallery, New Zealand
Chase Manhattan Bank Collection, New York
Bell Resources Collection, New York
Westpac Corporate Art Collection, Sydney
Prudential Insurance Company Collection, New York
The Loti and Victor Smorgon Collection, Melbourne
Sussan Corporation Collection, Melbourne
Michael Darling Collection, Sydney
Lila and Gilbert Silverman Collection, Detroit
Parliament House Art Collection, Canberra
Barossa Collection, South Australia
Bibliography
Monographic Catalogues
Imants Tillers, 91 Missing Works, Sydney, Imants Tillers, 1973
Charles Merewether and Imants Tillers, Imants Tillers, George Baldessin: XIII Bienal de Sao Paulo, Sydney,
The Visual Arts and Crafts Board of the Australia Council, 1975
Brian Lindman, Have you ever been taken the same way?, Melbourne, RMIT, 1978
Imants Tillers & Noel Sheridan, Rendezvous with Configuration P, Adelaide, Experimental Art Foundation, 1978
Imants Tillers, Fifty-two displacements, one year's work 1979, Sydney, n-space, 1980
Peter Myers, Imants Tillers: Survey 13, Melbourne, National Gallery of Victoria, 1980
Imants Tillers, Three Facts, Melbourne, Double Vision, 1981
Imants Tillers, One Painting, One Horizon, Brisbane, Institute of Modern Art, 1982
Paul Taylor, Imants Tillers: White Aborigines, London, Matt's Gallery, 1983
John Nixon and Imants Tillers, One Painting with Many Titles, Melbourne, Art Projects, 1983
Arakawa, Daniel Thomas, Vivien Johnson and Imants Tillers, Imants Tillers: Venice Biennale 1986, Sydney,
The Visual Arts Board of the Australia Council and Art Gallery of South Australia, 1986
John S. Weber, Australian Appropriations: The Recent Paintings of Imants Tillers, Portland, Oregon,
Reed College Art Associates, 1987
Iwona Blazwick, Michael Newman, Jenifer Slatyer and Paul Foss, Imants Tillers: Works 1978 - 1988, London,
Institute for Contemporary Arts, 1988
Jennifer Harper, Imants Tillers 19301, Wellington, National Art Gallery, 1989
Bernice Murphy, Rene Daumal, John Young and Imants Tillers, Imants Tillers: One Painting, Cleaving,
Wollongong, Wollongong City Art Gallery, 1990
Mary Eagle, Imants Tillers: Poem of Ecstasy, Melbourne, Deutscher Brunswick Street, 1990
Howard Morphy, ëContemporary Developmentsí, Aboriginal Art, 1998
Articles and Reviews
Donald Brook, 'Peeling the onion in post object art', Nation Review, Sydney, 14 September 1973
Julie Ewington, 'The Joe Bonomo Story - A Show of Strength', Art and Australia, Sydney, Vol.10, No.3, Jan1973
Ian North, 'Link exhibitions at the Art Gallery of South Australia', Art & Australia, Sydney, Vol.12, No.2, Spring 1974
6
Imants Tillers, 'Moments of Inertia', Contemporary Art Society Broadsheet, Sydney, January 1974
Donald Brook, 'Imants Tillers and the redefinition of art in Australia', Art & Australia, Sydney, Vol.13, No1 July 1975
Imants Tillers and Michael Scullion, 'Dialogue on False Mount Hayward', ZX, Sydney, No.2, August 1978
Dianne Beevers, 'According to des Esseintes', Artemis, Newcastle, Vol.9, No.4, October 1978
Mary Eagle, 'Picture of Duchamp a success', The Age, Melbourne, 12 July 1978
Suzi Gablik, 'Report from Australia', Art in America, Marion, Ohio, Vol.69, No.1, January 1981
Imants Tillers, 'Some Impressions', Art and Australia, Sydney, Vol.18, No.3, March 1981
Suzy Gablik, 'Report from Australia', Art and Australia, Sydney, Vol.18, No.4, June 1981
Margaret Plant, 'More than just coincidence', The Australian, Melbourne, 6 August 1981
Mary Eagle, 'Tillers' facts', The Age, Melbourne, 12 November 1981
John Young, 'From Three Facts to', Art & Text, Melbourne, No.4, December 1981
Imants Tillers, 'Locality Fails', Art & Text, Melbourne, No.6, June 1982
Richard Dunn, 'The Pursuit of Meaning: A Strategy of Parts', Art & Text, Melbourne, No.6, June 1982
Annelie Pohlen and Wolfgang Max Faust, 'Documenta 7', Kunstforum International, Cologne, September 1982
Paul Taylor, 'Popism', Real Life, New York, No.9, Winter 1982
Stuart Morgan, 'Kangaroo Court', Art Network, Sydney, No.7, September 1982
Margaret Plant, 'The encounter of Baldessin and Tillers on an etching plate according to des Esseintes 1976',
Art Bulletin of Victoria, Melbourne, No.22, 1982
Leon Paroissien, Australian Art Review 1982, Sydney, Warner Associates, 1982
Imants Tillers, 'The Temple of the Winds', Virgin Press, Melbourne, No.19, November 1982
Imants Tillers, Interview with James Gleeson', Art & Text, Melbourne, No.8, December 1982
Germano Celant, 'From Alpha Trainer to Subway', Art & Text, Melbourne, No.9, March 1983
Paul Taylor, 'Popism: The Art Of White Aborigines', On the Beach, Sydney, No.1, March 1983
Imants Tillers, 'Koala-Boy', Virgin Press, Melbourne, No.24, April 1983
Susan Hely, 'Tillers seeks a sense of belonging', The Sydney Morning Herald, Sydney, 7 April 1983
Sue Cramer, 'Masterpieces and Tall Poppies', Art Network, Sydney, June 1983
John Young, 'Anything Still', Art & Text, Melbourne, No.11, September 1983
Paul Taylor, 'Art News: Artists in Paris', Vogue Australia, Sydney, October 1983
Robert Rooney, 'Tall Poppies', Flash Art, Milan, November 1983
Anna Murdoch, 'One of a new breed', The Age, Melbourne, 25 November 1983
Terrence Maloon, 'Son of Dada moves on to masterpieces', The Sydney Morning Herald, Sydney, 16 April 1983
Catherine Millet, 'Special Australie: Art, musique, literature, peinture, aborigine', Art Press, Paris,
No.74, October 1983
Michael Archer, 'We are not all in the same boat', Art Monthly, London, No.72, December 1983
Leon Paroissien, Australian Art Review 1983, Sydney, Warner Associates, 1983
Imants Tillers, 'Fear of Texture', Art & Text, Melbourne, No.10, June 1983
Sue Cramer, 'Vox Pop', Art & Text, Melbourne, No.12 and 13, Summer 1983-Autumn 1984
Ashley Crawford, 'Imants Tillers', Tension, Melbourne, No.3, February 1984
John Roberts, 'Principles of Motion', Art Monthly, London, No.73, February 1984
Imants Tillers, 'Style Master: Dick Watkins', Express Australia, New York, April 1984
John Russell, '3 Vigorous Artists from Down Under', The New York Times, New York, 20 April 1984
John Russell, 'The Irony of Chirico', The New York Times, New York, 27 April 1984
Kim Levin, 'PS1's Report Card', Village Voice, New York, 1 May 1984
Kay Larson, 'Seeing Australia', New York Magazine, New York, 7 May 1984
Robert Atkins, 'Australians Arrive at PSI', Newsday, New York, 11 May 1984
Benjamin Forgey, 'The Edge of Night', The Washington Post, Washington D.C., 22 July 1984
Imants Tillers, 'In Perpetual Mourning', ZG/Art andText (joint issue), New York, July 1984
Thomas McEvilley, 'On the Manner of Addressing Clouds', Artforum, New York, Summer 1984
Eric Gibson, 'An Australian Accent?', The New Criterion, New York, September 1984
Thomas McEvilley, 'An Australian Accent', Artforum, New York, October 1984
Michael Brenson, 'Imants Tillers', The New York Times, New York, 5 October 1984
Kim Levin, 'Upstarts from Down Under', Village Voice, New York, 5 October 1984
Ken Sofer, 'Views from Down Under', Artnews, New York, December 1984
Kate Linker, 'Imants Tillers', Artforum, New York, December 1984
Donald E. Kuspit, 'Imants Tillers', Art in America, New York, March 1985
Robert Nickas (Ed.), 'Hunger for Words', New Observations, New York, No.29, 1985
Kerry Leves, 'Creating works out of feelings', The Australian Financial Review, Sydney, 26 July 1985
Elizabeth Parsons, 'Imants Tillers', Follow Me, Sydney, February-March 1985
Imants Tillers, 'The Classicism of Tony Clark', Follow Me, Sydney, June-July 1985
Nicholas Baume, 'Original Sin', Studio, Sydney, August-September 1985
Robert Nickas, 'Inversion, Perversion, Subversion', Figura, Seville, Spain, No.6, Autumn 1985
Kim Levin, 'Imants Tillers', Village Voice, New York, 12 November 1985
7
Articles and Reviews continued
John Russell, 'Imants Tillers', The New York Times, New York, 8 November 1985
Carter Ratcliff, 'Modern Life', Artforum, New York, December 1985
Paul McGillick, 'American visions, Australian accents', Art and Australia, Sydney, Vol.23, No.2, Summer 1985
Timothy Morell, 'Big Drawings', Art and Australia, Sydney, Vol.23, No.3, Autumn 1986
Michele Cone, 'Imants Tillers', Flash Art, Milan, December 1985/ January 1986
Eleanor Hartney, 'Imants Tillers', Artnews, New York, January 1986
Robert Nickas, 'The sublime was then (search for tomorrow)', Arts Magazine, New York, March 1986
John McDonald, 'John McDonald and painter Imants Tillers go on a gallery crawl', Sydney Morning Herald, 8 Aug ‘86
Ronald Fishman, 'Under 40 and on top', Good Weekend, Sydney, 3 May 1986
Michael Newman, 'Mysteries and Mercenaries - The Venice Biennale 1986', Artscribe, London, Sep / Oct 1986
William Feaver, 'Venice: A User-Friendly Biennale', Artnews, New York, September 1986
Milton Gendel, 'Report from Venice', Art in America, New York, October 1986
Jurgen Hohmeyer, 'Durch die Wunderkammer', Der Spiegel, Cologne, No.27, 1986
Thomas McEvilley, 'Biennale of Sydney', Artforum, New York, November 1986
Ronald Millar, 'Venice Biennale and Past Futures', Art and Australia, Sydney, Summer 1986
Catherine Millet, 'Venice: l'art et l'alchemie des prix', Art Press, Paris, September 1986
Peter Schjeldahl, 'A visit to the salon of Autumn 1986', Art in America, New York, December 1986
Terence Maloon, 'Imants Tillers &d the Museum without Walls', Studio International, London, December 1986
Paul Taylor, 'Biennale of Sydney', Flash Art, Milan, October-November 1986
Sophia Willems, 'Alles gesagt und nichts gemeint', Dusseldorfer Nachtrichten, Dusseldorf, 5 July 1986
John S. Weber, 'Venice Biennale offers art from the ingenious to the dismal', The Oregonian, Portland, 22 July 1986
Peter Ward, 'The Colour Tillers', The Australian, Melbourne, 6-7 September 1986
John Young, 'Murmur of the Soul', Tension, Melbourne, No.9, May 1986
Eleanora Sturma, 'Five Latvian artists in New York', Latvian Art, Rockville, Maryland, No.12, 1986
Michael Brenson, 'Two Artists who flourish in a Postmodern Climate', The New York Times, New York, 22 Febr1987
Vivien Raynor, 'Imants Tillers', The New York Times, New York, 3 April 1987
Lois Allan, 'Issues for Outsiders', Artweek, Oakland, California, February 1987
Paul Foss, 'Mammon and Millenial Eden', Art & Text, Sydney, No.22, March 1987
Juan Davila, 'Aboriginality: A Lugubrious Game?', Art & Text, Sydney, No.22, March 1987
Carl Pickering, 'Il punto di vista di Casa Vogue', Milan, No.181, June 1987
Gunars Jurjans, 'From Venice to Melbourne', Australian Latvian News, Sydney, 10 April 1987
Jude Schwendenwien, 'Refined Vision', East Village Eye, New York, May 1987
Kim Levin, 'Imants Tillers', Village Voice, New York, 7 April 1987
Susan Morgan, 'Sydney Biennale', Artscribe, London, January/February 1987
John Miller, 'Avant Garde in the Eighties', Artscribe, London, September-October 1987
Conrad Wolf, 'Imants Tillers in der Galerie Susan Wyss', Tages-Aneiger, Zurich, 9 October 1987
Peter Ward, 'Temple of Light?', The Australian, Melbourne, 7-8 November 1987
Jeffrey Rian, 'Imants Tillers', Art in America, New York, November 1987
Terry Smith, 'Imants' images: Fair borrowing is no robbery', Times on Sunday, Sydney, 29 November 1987
Eleonara Sturma, 'Seven Latvian artists exhibiting in New York', Latvian Art, Rockville, Maryland, Vol.13, 1987
Jennifer Slatyer, 'The Life-Motif', Art Monthly, Sydney, No.9, April 1988
Terry Smith, 'Provincialism Refigured', Art Monthly, Sydney, No.13, August 1988
Michael Archer, 'Imants Tillers in London', Art Monthly, Sydney, No.12, July 1988
Nicholas Baume, 'Learning from the Dreamtime', Art and Australia, Sydney, Bicentenary Special Issue, Spring 1988
Imants Tillers, 'Words of Wisdom', Art and Australia, Sydney, Bicentenary Special Issue, Spring 1988
Justin Hoffman, 'Warum nicht Australien', Wolkenkrater, Hamburg, No.4, July-August 1988
Eleanora Sturma, '6 Latvian Artists exhibiting in New York Galleries', Latvian Art, Rockville, Maryland, Vol.14, 1988
Michael Archer, 'Bicentennial Exhibitions in London', Art and Australia, Sydney, Vol.26, No.2, Summer 1988
Michael Hubl, 'The Australian Exhibition', Kunstforum, Cologne, March/April 1989
Gundega Repse, 'Spraudisu netas globusa', Literatura un Maksla, Riga, 15 July 1989
Nikolajs Bulmanis, 'Par Imants Tillers', Jauna Gaita, Hamilton, Ontario, issue 171, February 1989
Roy Murphy, 'Scene Stealer', City Life, Sydney, Vol.2, August 1989
Sally McMillan, 'Tillers: Next he takes Manhattan', The Australian, Melbourne, 1 June 1989
Jenny Harper, 'Imants Tillers in Wellington', Art New Zealand, Auckland, No.51, Winter 1989
Nicholas Baume, 'The Interpretations of Dreamings: The Australian, Aboriginal Acrylic Movement',
Art & Text, Sydney, No.33, Winter 1989
Jenny Harper, 'Tillers' McCahons', Tension, Melbourne, No.18, October 1989
Chris Mc Auliffe, 'A Condition of Suspended Confusion', Art and Australia, Vol.27, No.2, Summer 1989
Imants Tillers and Wystan Curnow, 'An Exchange of Notes', Antic, Auckland, No.6, November 1989
Bridget Sutherland, 'Sign of the Cross', Antic, Auckland, No.6, November 1989
John Hurrell, 'A brief look at Gilgulim, the doctrine of metempsychosis, and other tenets of Lurianic Kabbalism,
as revealed on p.19301 of Imants Tillers's Book of Power when that was displayed in Wellington in 1989, and in his
earlier books Rendezvous with and Three Facts', Antic, Auckland, No.6, November 1989
Ashley Crawford, (Ed.), 'The 1980s: From leantime to dreamtime', Tension, No.19, Melbourne, January 1990
Imants Tillers, 'Imants Tillers as a Site of Conflict', Art and Australia, Sydney, Vol.27, No.3, March 1990
Stephen O'Connell, 'Imants Tillers', Art & Text, September 1990, pp.146-147
Christopher Allen, 'Commentaries: Maloney; Hawkes; Tillers; Oliver; Rudyard; Grech; Henneman',
Art Monthly Australia, July 1991, p.14
8
Articles and Reviews continued
Peter Hill, 'A Life of Blank: Works by Imants Tillers', Art Monthly Australia, May 1992, p.13
Terry Ingram, 'Olsen top prize in gallery war', Australian Financial Review, 18 January 1993
'Fledgling gallery lays rivals on the canvas', The Sydney Morning Herald, 10 February 1993
'Art of The Country - The Big Picture', Australian Country Style, Feb-March 1993, pp.141-143
Robert Berlind, 'Report from Australia: Winter Walkabout', Art in America, April 1993, pp.3-4
Michael Hutak, 'Art heavies rage over Sulman', The Sydney Morning Herald, 12 May 1993, p.2
Lynn Fern, 'A hero aground', The Sydney Morning Herald, 4 June 1993
'A Brush with Success', The Sydney Morning Herald, 18 August 1993
Julia Robinson, 'Imants Tillers' Artful Kaleidoscope', Artist Magazine, Taipei, Republic of China, September 1993
Joanna Mendelssohn, 'Bunches of Tens', The Bulletin, 7 December 1993, pp.79-81
Artnotes, 'Tillers Wins Osaka Prize', Art Monthly Australia, March 1994
'Imants Tillers' (article in Japanese), Nichigo Press, May 1994
Elwyn Lynn, 'Caught in the moment', The Weekend Australian, Review, 21-22 May 1994
'Imants Tillers Wins Prestigious Award', Flash Art News, May/June 1994, p.54
'Australian Art in Japan', Tomodachi, December 94/January 95
Pepe Karmel, 'Antidotes for a Cartoonish Image', The New York Times, 23 June 1995
John McDonald, 'Tillers's White Nights', The Sydney Morning Herald, 8 July 1995
Sonya Voumard, 'Imants: At last in control of his destiny', The Sydney Morning Herald, 29 August 1995
Miriam Cosic, 'To all Foreigners: We have Art as well as Outback', The Sydney Morning Herald, 28 October 1995
Chris Ashton, 'Off again, on again', The Bulletin, 16 April 1996
T. J. McGuire, 'Down under Asia', Asahi Evening News , 27 June 1996
Neilton Clarke, 'Beginning at the end' The Daily Yomiuri , 7 June 1996
Miki Yoda, ëStrong aspect of multicultural societyí,The Sankei Shimbun Newspaper, 7 July 1996
Joanna Mendelssohn, 'Perennial exile comes home at last', The Australian, 11 July 1996
Tamaki Harada, Probe into the present contemporary art in the southern hemisphereí, Mainichi Gravure-Amuse,
no. 14, 24 July 1996
Akihiko Takami, ëComounding Australian Identityí,Bijutsu-Techo, August 1996
Angela Bennie, 'Spirit and Place', The Sydney Morning Herald, Spectrum, 23 November 1996
'Exhibit eh? How selling Art to Asia raised eyebrows in Sydney', The Sydney Morning Herald, Metro, 16 May 1997
Judith White, ëAustraliaís Most Wantedí, Australian Art Collector, Issue 1, July/Sept. 1997
Giles Auty, 'Exuberance Truncated', The Weekend Australian, 19-20 July 1997
Susan McCulloch, 'No Boundaries in our Sense of Space', The Weekend Australian, 2-3 August 1997
Morgan Joyce, 'Yen for the Big League', The Sydney Morning Herald, 31 October 1997
Usher Robin, ' Artists shortlisted ', The Age , Metro Arts, 5 November 1997
' Artists in line for a $40,000 Fellowsh
<< back to Artists
|
