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ROSS MOORE: CV
DATE OF BIRTH: 26 August 1954
PLACE OF BIRTH: Broken Hill, NSW
EDUCATION
1973-4 Commenced Bachelor of Arts, University of Melbourne
1975-7 Transferred to Monash University where qualified for Bachelor of Arts in 1977.
Course involved two major streams - English Literature and Philosophy.
No formal art training as began to paint while studying English Literature at
Melbourne University in 1974.
1994 Commenced MA Visual Arts by Research, Monash University
1995 PhD Upgrade (Supervisor, Elizabeth Grosz).
1999 Lecturer, School of Art and Design, Monash University
1999 Associate Research Fellow, School of Art and Design, Monash University
SELECTED INDIVIDUAL EXHIBITIONS
1978 Naive Works, Realities Gallery, Melbourne.
1983 Works on Paper, Powell Street Graphics, Melbourne.
1985 Plundered Heart, Powell Street Graphics, Melbourne.
1988 Paintings, Powell Street Gallery, Melbourne.
1989 Inaugural Picture of the Month, Parliament House, Canberra.
1991 Aside, Luba Bilu Gallery, Melbourne.
1992 Recent Work, Luba Bilu Gallery, Melbourne.
1993 Of The Visible and Hidden, Hares and Hyenas, Melbourne.
1993 The Prison was Silent, Linden Art Gallery, Melbourne.
1994 Dear Primitive, Temple Studios, Melbourne
1995 The Penetrated Male, Robin Gibson Gallery, Sydney.
1995 The Sodomite's Tongue, Ether Ohnetitel, Melbourne.
1996 The Queen's Throat, The Basement, Melbourne.
1998 New Work, Simeon Kronenberg, Melbourne
SELECTED GROUP EXHIBITIONS
1977 Naive Painters, Australian Galleries, Melbourne.
1978 Greenhill Galleries, Adelaide
1978 Swan Hill Pioneer Art Award, Swan Hill, Victoria.
1979 The Innocent Observers, Georges Gallery, Melbourne.
1979 Thirty Australian Naives, Gallery Art Naive, Melbourne.
1980 Group Exhibition, Realities Gallery, Melbourne.
1987 Powell Street Gallery, Melbourne.
1987 Young Australians, Touring Exhibition, National Gallery of Victoria.
1987 Posters, Expo '87, New York.
1988 Phillip Morris Collection, Australian National Gallery, Canberra.
1989 Foundation Fine Art Collection, Monash Medical Centre, Clayton, Victoria.
1989 Wilderness Society Exhibition, Lyndon Gallery, Melbourne.
1990 Artists Against Animal Experimentation, Deutscher Gallery, Melbourne.
1990 Special, it's been used before, Luba Bilu Gallery, Melbourne
1991 Tapestries from the Victorian Tapestry Workshop, McClelland Art Gallery, Langwarrin,
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1991 Interpretations: The Visual Language of the Victorian Tapestry Workshop,
Ian Potter Gallery, Melbourne.
1991 The Sublime Imperative, Australian Centre for Contemporary Art, Melbourne.
1991 Review, Luba Bilu Gallery, Melbourne.
1992 Expo '92, Artbank, Seville, Spain.
1993 Dislocations, Access Gallery, National Gallery of Victoria.
1994 The Naifs, Libby Edwards Galleries, Melbourne.
SELECTED GROUP EXHIBITIONS CONTINUED
19th Annual Freemantle Print Award, WA.
Artists' Books Fair '94, State Library of Queensland, Brisbane.
Active Agents: Aids Art in Australia, Canberra School of Art
Don't Leave Me This Way: Art in the Age of Aids, National Gallery of Australia, ACT.
Active Agents, Firstdraft Gallery, Sydney.
1996 Colonial-Post Colonial, Museum of Modern Art at Heide, Melbourne
New Horizons, Bitla Academy of Art & Culture, Calcutta & Jehangir Nicholson Gallery,
Mumbai, India.
1997 Queer Crossing: Exhibition of Queer in the work of 15 Contemporary
Australian Artists. Ivan Doherty Gallery, The University of New south Wales, Sydney
COLLECTIONS
Artbank, Sydney
Australian National Gallery, Canberra.
Ballarat Art Gallery, Victoria.
Budget Transport Industries.
Ministry of the Arts, Rialto, Melbourne.
Monash University Collection, Melbourne.
Monash Medical Centre, Clayton
National Gallery of Victoria.
Phillip Morris Collection, Australian National Gallery, Canberra.
Queensland Art Gallery, Brisbane
State Library of Queensland
Melbourne University (VIzard Foundation).
AWARDS
1979 Young Writer's Fellowship, Literature Board, Australia Council.
1983 Research Grant, Visual Arts Board, Australia Council.
1984 Assistance to Publications Grant, Literature Board, Australia Council.
1989 Personal Development Grant, Visual Arts Board, Australia Council.
1994 Commonwealth Post Graduate Research Scholarship (MA Visual Arts, Monash)
COMMISSIONS
1989 Design for tapestry, Victorian Tapestry Workshop.
1992 Monash Medical Centre.
RECENT ACADEMIC SPEAKING ENGAGEMENTS 1994-7
14 December 1994 Artist's Talk National Gallery of Australia
11 May 1995 Lecture, "Viral Visions", University of Tasmania, Launceston Campus
12 May 1995 Lecture, "Viral Visions, University of Tasmania, Canberra School of Art
25 May 1995, Post-graduate Seminar, RMIT.
20 September, 1995 Lecture and Seminar, Dept. Fine Arts, Melbourne University.
21 March, 1996, Post-graduate Seminar lecture, Dept. Fine Arts, Melbourne University.
21 April, 1996, Seminar lecture, Under and Post-Grad, Sculpture Department, RMIT.
2 June, 1996, Visual Arts Forum, Next Wave Festival, "Colonial: Post-Colonial". RMIT.
14 July, 1996 Artist Talk, "Colonial-Post Colonial".Museum of Modern Art, Heide.
March 17, 1997, Lecture, Gay art and Identity. Dept, Fine Arts, Monash University
27 March, 1997, Lecture, Gay Art and Identity, Victorian College of the Arts.
23 July, 1997, Lecture, Gay Art and Identity, RMIT City Campus, Dep. Visual Arts
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20 September, 1997, Conference Paper, "Barbie as Anus Cover". Theorizing Barbie and her Friends-
Dolls and Toys as Sites of Cultural Practice. University of Melbourne.
23 September, 1997, Lecture" Queer Art in Australia in the 1990s, Department of Fine Arts,
University of Melbourne.
ARTIST SELECTED BIBLIOGRAPHY 1977-99
1977 Australian Naive Painters, Bianca McCullough. Hill of Content. Melbourne 1977.
Champion of Naive Painters, Amanda Lazar, Age, 16 July.
Whoops! Don't Put Uncle Fred in the Fire, Caroline Ross, The Sun, June 13.
1979 Satirists, ceramicists and the RMIT, Alan McCulloch, The Herald, December 6.
1983 Ironic Look at Style and Stylishness, Memory Holloway, Age, Arts, October 26.
Well, it figures, The Herald, Ronald Millar, The Herald, October 27.
Ross Moore, David Menadue, Outrage, No. 8. October Edition.
1984 World Encyclopedia of Naive Art, Oto Bihalji-Merin, Frederick Muller, London, 1984.
1987 Young Australians, Budget Collection Catalogue. Essay by Robert Lindsay.
Powell Street Gallery, 1987.
1988 Collection One, Art Forms Australia Catalogue, Melbourne, Victoria.
14 Art Posters published by Artforms Australia Pty. Ltd.
1990 France Beckons for Moet Winner, Jenny Zimmer, Sunday Herald, October 2.
1991 Foundation Fine Art Collection, Monash Medical Centre Collection Catalogue.
Interpretations: the Woven Language of the Victorian Tapestry Workshop,
Victorian Tapestry Workshop Exhibition Catalogue.
Interpretations, Simeon Kronenberg, Agenda, October 1991.
Turning paint into wool, Rebecca Lancashire, Age, 21 September.
The Sublime Imperative, Simeon Kronenberg, Catalogue and Essay,
Australian Centre for Contemporary Art, Melbourne, November.
Sublime but not Imperative, Robert Rooney, The Weekend Australian, 30 November
Beyond the Eye of the Beholder, Jenny Brown, Age, 30 November.
Sublime Imperative, Christopher Heathcote, Age, 4 December.
1992 Images Translated in the Mind's Eye, Amanda Uhlmann, The Canberra Times,
6 February.
Trying to Express the Transcendental, Sonia Barron, The Canberra Times,
19 February.
Creative Risks and Rewards, Christopher Heathcote, Age, 22 April.
The Sublime Revisited, Jenny Zimmer, Agenda May - June.
My Art, Mr Critic, Derived from Me, Ross Moore, Letters to the Editor, Age, .29 April.
1993 Dislocations: Body, Memory, Place, Marcus O'Donnell, Exhibition
Catalogue, January.
Dislocations, Craig Bird, Melbourne Star Observer, 22 January.
You Are Here - Dislocations, Robert Schubert, Agenda Issue 30-31 May.
Dislocations: Body, Memory, Place, Stephen O'Connell, Art & Text, No 45 May
The Carnal Rose, Robert Schubert, Catalogue Essay, The Prison Was Silent, July.
Exhibition to reflect images of trapped silence, Emerald Hill, Sandridge & St Kilda Times, July 28
Interview, Bridget Hare, Brother Sister, 13 August.
Breaking the Ice, Marcus O'Donnell, Melbourne Star Observer, 6 August.
Confined Spirit, Age Good Weekend, 7 August.
Burn Lens, Burn, September.
Which Way Gay?, Simeon Kronenberg, Art Monthly, November.
1994 Aids Art on Display, Peter Cochrane, The Sydney Morning Herald, April 11.
A Visible Epidemic, Review, Leigh Raymond, Sydney Star Observer, 22 September.
Don't Leave Me This Way: Art in the Age of Aids, Preview, Ted Gott, National
Gallery News, September - October.
Art for Life's Sake, David Urquhart, Talkabout, October 1994
Defining Images, Marcus O'Donnell, Melbourne Star Observer, 28 October.
Moore suited to writing, Herald Sun, 9 November.
Active Agents: Aids Art in Australia, Jill Bennett, Catalogue and essay,
Canberra Schol of Art, November.
Art in the Age of Aids, Book catalogue compiled by Ted Gott, National Gallery of Australia.
Don't Leave Me this Way, Review, Crusader Hillis, Spinout, Melbourne Star Observer, 25 Nov
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SELECTED BIBLIOGRAPHY 1977-99 CONTINUED
1994 Affirming the Living amid the Agony and the Cruelty of Aids, review, Bruce James,
The Age, 30 November.
Artbank, images and statement, Artlink, Vol 14 No 4 Summer.
The Worrying Book, John Mateer, Far, Vol 9 No 5 Fremantle Arts Centre,
October/November.
Moore on Ross, Exhibition review, Town Talk with Kevin Childs, Storm, December.
1995 Festival 95, Cover image and inset p. 4, Sydney Star Observer, 2 February.
Privates on Parade, Limelight, John Mangan, The Age, 7 February.
Two Rosses Wave the Gay Flag at Mardi Gras, Daphne Guiness, Arts, Sydney
Herald, 6 February.
The Season Brings a Queer Collection, Exhibition review, Felicity Fenner, Sydney
Morning Herald, 17 February.
Ross Moore, Dear Primitive, Exhibition review,Chris Healy, Agenda, Issue #41,
March.
Exhalations of the Night, Marcus O'Donnell, Outrage, No. 143 April.
His Hungry Asshole: Moore's Theatre of Anal Projection, Catalogue essay,Ted
Gott, The Sodomite's Tongue, April.
The Sodomite's Tongue, Exhibition review, Robert Nelson, The Age, 19 April.
Of Assholes and Art, Exhibition Review, Robert Ellsworth, Melbourne Star Observer,
21 April.
Angry and Confronting, Exhibition Review, Robert Nelson,The Age, 16 August.
Becoming Homosexual: Michel Foucault on the Future of Gay Writing, Island,
Issue 63
Saint Foucault, Towards a Gay Hagiography, Frontispiece, Oxford University Press.
1996 Australia Queer, Meanjin, Images, Volume 1 1996.
The Colonial Corridor, Catalogue Essay, "Colonial Post Colonial", Julian Engberg,
Museum of Modern Art at Heide, 1996
Remembering Post Colonialism - Ross Moore's Dear Primitive, C. Healy, "Colonial
Post Colonial, Museum of Modern Art at Heide, 1996
Australia's Paintbrush Colonials, R. Lanchashire, Age, Arts Extra, 22 June, p. 22
Colonial Post Colonial, Robert Rooney, The Australian, June 28, p.16
Past Masters, Review, Peter Timms, Arts & Entertainment, p.93, Herald Sun, July 5
An Exhilarating Exhibition, Review, Jessica Hopley, MSO, Spinout, 5 July, p.5
Nature Morte: Pictures at an Exhibition. Brian Castro, Art Monthly, August No 92.
1999 Ore Inspired. Vogue Living March. p. 36-7. Colour reproduction.
In Panorama. Belle Magazine. June-July No 153. p. 56-9. Colour reproduction in situ.
AUTHOR- SELECTED PUBLICATIONS 1984-1999
1984 Sam Byrne - Folk Painter of the Silver City. Ross Moore. Viking Penguin Books,
203 pages, Melbourne, March 1984.
Art and Ideology: The Picasso Touch. Age Feature. 10 September.
1985 Island of the Dead, Exibition catalogue essay, Australian Perspecta '85.
1986 The Finest of Lines: Master Drawings at the National Gallery of Victoria.
Exhibition Review. National Times on Sunday, May 30.
Artistic Nationalism Helps Dry the Dishes: The Art of Margaret Preston. Book
Review, National Times on Sunday, 17 August.
Cocteau: Prince of avant-garde. Book Review. National Times on Sunday, 9 October.
Land of the Lost Dichotomy. Book Review of P. Fuller's "The Australian Scapegoat:
Towards an Australian Aesthetic", National Times on Sunday, 1 March.
1987 Being Different. Book Review. National Times on Sunday, 8 February.
1988 Advance Australia Fair. Catalogue essay: Marianne Baillieu. Auckland City Art Gallery.
1991 Aside. Exhibition Statement. Luba Bilu Gallery, Melbourne.
AUTHOR- SELECTED PUBLICATIONS 1984-1999 CONTINUED
1993 In Search Of Nirvana. Exhibition Essay on Marianne Baillieu,
Karen Lovegrove Gallery, Melbourne.
Genet, Gay Identity and Imagination, Ross Moore and Marcus O'Donnell,
Self-published, 88 pages, illustrated, Melbourne, August.
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1994 Venda and the Parasite: The Phallic Worm Inside the Skull, essay,
Ether Ohnetitel Inc Issue Number Two, 1994
A Mortal Geometry, Catalogue Essay: Marcus O'Donnell, Argyle Street Studios, June
Decking Out Identities - Performing Gender, essay, Art Monthly, July 1994, No 71
Walking the Labyrinth: Seductions of the Imaginary Museum, Catalogue essay:
Rod McLeish:Naked and Unashamed, Centre for Contemporary Photography, July-August
The Worm inside the Skull: Surreal Visions in Gisele Prassinos and Trevor Page,
feature, Agenda # 38, September
Albrecht Durer, Exhibition Review, Agenda, Issue #39/40 November.
Black Bodies as Decor, Exhibition Catalogue essay:"Dear Primitive", November.
Peter Booth, Paintings 1993-4, Contributing review, Artfan 3+4, Spring 1994.
Image Bank, images and artist statement, Artlink, Volume 14 No 4 Summer.
1995 Of Surfies, Sand and Lusty Sailors, Exhibition review, "The Beach", Spinout
Melbourne Star Observer, 13 January.
Taming the Queer, Exhibition review, "Perspecta", Spinout, Melbourne Star Observer, 24 February.
Pierre et Gilles' Paradise, Interview, Spinout, Melbourne Star Observer, 10 March.
Demonising Drag and the Wondrous World of Ron Muncaster, essay, Art Monthly, April 1995, No. 78.
Glitter and be Gay, feature, Melbourne Star Observer, 28 April.
Glitter and be Gay, Capital Q, 28 April.
When Artists Walk Side By Side, feature, Melbourne Star Observer, 23 June.
Finger Painting: Juan Davila - The World Belonging to Juanto Laguna, Exhibition
Review, Spinout, Mebourne Star Observer, 4 August.
Gook Girls, Monstrous Chimeras and the New Technology, Exhibition Review, Real Time, 8 August.
Digital Wombs, Male Phantasms and Female Embodiment, Essay, Mesh, Journal
of the Modern Image Makers Association #6 Winter 1995.
Viral Visions, Essay, Aggenda Magazine, Spring Issue 44-45.
Scouting for Boys, Exhibition Review, Spinout, Melbourne Star Observer,22 September.
Telling Histories, Exhibition Review, Spinout, Melbourne Star Observer, 13 October.
Did You Know Marco Polo Lives In Nunawading: The City as Locus Mundi of
Desire, Catalogue Essay, "Constucted City", Plimsoll Gallery 20 October, Centre For the Arts, Hobart.
Post Modern Buddhist, Feature Article, Outrage No 150, November.
Ideologicaly Unsound Hankies, Exhibition Review, Spinout, Melbourne Star Observer, 27 October.
More to S & M Than We Thought, Book Review, The Weekend Australian, 28-9 October.
Squeaky Clean Aggression, Exhibition Review, Spinout, Melbourne Star Observer 15 December.
1996 Neo-colonialism in the Art Gallery, Exhibition Review, Spinout, Melbourne Star Observer 16 February.
Bourgeois and Berkowitz, Art Feature, Monument, Issue 11
The Queen's Throat, Self-published artist's book for exhibition of same name.
Mao Fornicates with Oscar Wilde, Exhibition Review, Spinout, Melbourne Star Observer, 14 June.
AUTHOR- SELECTED PUBLICATIONS 1984-1999 CONTINUED
Monsters at the Edge of Reason, Exhibition Review, Spinout, Melbourne Star Observer, 5 July
Freddie Timms and Brent Harris, Art Feature, Monument, Issue 14.
1997 Dobell's Posthumous Closet, Outrage, No. 166 March
The Anonymous Flash: The Recent Ovaloid Paintings of Marianne Baillieu,
Monash University Gallery. Exhibition Catalogue Essay. June.
Lauren Berkowitz: Wall Red Yellow Blue, Exhibition Catalogue Essay, Lauren
Berkowitz, Artspace, Sydney, 5 June-28 June.
Gay Cannibal Killers, Outrage, No. 171. August.
When Is the Face the Face of the Painting? The Quintessential Schizo-paranoid
Question, Exhibition Catalogue Essay, Brent Harris: The Untimely, Tolarno Galleries. 6 Aug-13 Sept
Souvenir 1987-97: Andrew Cooks, Exhibition Review, Spinout, Melbourne Star Observer, 19 Sept
1999 When is the face the face of a painting? Revised catalogue essay, Brent Harris,
Martin Brown Gallery, Sydney, July.
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