Inlay 2: Making One's Mark

By Isabel Foster

The hardest thing I have to do is write this article so I will begin by acknowledging all the unknown people who have inspired me in some way or another, And the teachers who set projects that set me thinking. One such teacher, an arts mistress, suggested the class design a personal monogram. This I found difficult to do because I had three initials A.I.A. which would not blend well together. The alternative project was to create one's own book plate (I didn't succeed with that one either - yet). After marrying I had just as much difficulty because my initials had become A.I.F. and only when bidding in a packed auction room did I think I sounded like an army recruit.

It now became obvious to me that I still wasn't satisfied but now I know why (some 50 years after the auction room incident), it was because I didn't need to use a monogram: or in other words a need to make my mark.

The next chapter in this saga was when I had a class of very enthusiastic mature age students, all exploring their latent creative potential. The project was Make a cushion for a much loved person. The following dialogue ensued:

Me... "The cushions are all very exciting, of course you have dated and initialled your piece".

Students ... "No????"

Me... "Well now is the right time for you to make your mark and that will be your homework for the next week."

The following week various designs appeared but one student in particular advised me that she would not be continuing. She had decided to return to her pottery, as she had at last created her own mark; her inspiration had returned. Shortly after a strange thing happened. I was finishing a letter and suddenly my pen went flying across the page, and then as now I made my mark.

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