A Night of Javanese Gamelan Music
Solonese and Cirebon Traditions
The Melbourne Community Gamelan
under the direction of Poedijono
Gamelan Cirebon Melbourne
under the direction of Michael Ewing
3 August 2002
University of Melbourne Gamelan Room
210 Berkeley Street
Lancaran NYI GEMI RARAS, laras slendro pathet manyura
The concert opens with a piece which Poedijono composed for the Melbourne Community Gamelan. This piece has the same name as the set of gamelan instruments being played this evening, Nyi Gemi Raras. Nyi is the honorific term for women, because our gamelan is female. GEMI is an acronym for Gamelan Education Melbourne Institute, where the gamelan was first housed, and gemi also means ‘thrifty’ in Javanese. Raras means ‘musical scale’. An interpretation of Nyi Gemi Raras could be ‘The Venerable Enduring Sound’.
GANGSARAN minggah Ladrang LUNG GADHUNG – laras pelog pathet nem
Gangsaran comes from gangsar meaning to flow freely and is an ostinato on a single pitch. This is followed by Lung Gaduhung referring to a type of curling tendril and also the similar shape in wood carvings. This piece then returns to Gangsaran before ending.
Ladrang WILUJENG, laras slendro pathet manyura
Wilujeng, whose name means ‘safe, secure,’ reflects the feeling we hope will be engendered by this evening’s performance.
Ladrang ASMARADANA laras slendro pathet manyura
Asmara means love, dana means to give.
INTERVAL
Lagu KEMBANG KAPAS naek SEMARANG BUNCIS, laras prawa
Cirebon, on the north coast of Java, is home to a wide range of distinctive art forms, including Tari Topeng or masked dancing. Tonight we are playing the music that would accompany the dance the Rumyang, which portrays a character who is establishing him or herself in the world.
Ladrang PANGKUR to AYAK-AYAKAN - SREPEGAN, slendro pathet sanga
Pangkur is a standard Javanese classical verse form. Ayak-ayakan and sprepegan are often played for wayang and dance performances. Tonight these pieces are played in a suite in klenengan style with singing.
Lancaran TROPONGBANG, laras Pelog Nem
Tropong is a weaving shuttle. Bang means red.
Lancaran KOTHEK laras Slendro pathet Manyura
The title of this piece refers to the conventionalised rhythmic patterns, kothekan, that are produced by several women pounding rice together in the traditional method. After this piece is finished, audience members will be invited to try this piece themselves.
Gamelan music is perhaps the most well known of the hundreds of traditional performing arts among the cultures found in the Republic of Indonesia. The term gamelan refers to the entire set of instruments, to the music played on them and to the group who plays them.
The members of the Melbourne Community Gamelan have been studying and performing for a number of years under the direction of Bapak Poedijono. The group Gamelan Cirebon Melbourne is directed by Michael Ewing. There is overlap between the membership of the two groups.
We would like to express our thanks to Dr Cathy Falk and to the Faculty of Music for their support of Indonesian performing arts in Australia, and for allowing us to practise and perform on the instruments used today. Thank you to all who have attended this event. If you would like to be on our mailing list for notification of future performances, please send an email to the address below.
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Dyah Adi Michelle Abbott Mina Elfira Michael Ewing Andy Fuller Linda Hibbs Cindy Husein Tata Kristanta Henny Kwee Arthur Lipscombe |
Robert McMullen Keith Morgan Helen Pausacker Poedijono Christobel Say Ria Soemardjo Gede Suparsa AL Suwardi Peter Tasker Nick Thieberger Kris Williamson |
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Melbourne Community Gamelan PO Box 4412 University of Melbourne Parkville, VIC 3052 melgamelan@hotmail.com http://home.vicnet.net.au/~gamelan/ |