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Traditions and Transitions folk narrative in the contemporary world |
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This paper examines four specific published folk
narratives in the Telugu language, which are in the song form of Andhra Pradesh
pertaining to the eighteenth century. The paper highlights the historical,
sociological, psychological and religious-emotional perspectives contained in
these narratives and also reflects on the 'folk mind' within a wider cultural
and traditional context. The presentation will confirm the three basic concepts
of Bergen folklorist Ulf Palmenfelt (Bjorg Kjaer, 1998) on narratology and
narrativity, and stresses the importance of narrativity.
In this study, all three of Palmenfelt's concepts are evident. In the
eighteenth century, the Hindu tradition of widow immolation on the death of the
spouse was based on the widow's faith in the virtue of chastity and its
associated powers to perform miracles. It was practised because it was believed
that women could only obtain salvation through their complete loyalty to their
husband and their unwavering aspiration to die as a married person. It was a
cultural and religious dogma that was considered 'obscure' by the British
rulers who legislated an act banning widow immolation. However, the four
specific folk narratives described here were so moving in telling the story of
their heroines, and their miracles, that they convinced the ruling officers to
allow widow immolation. These miracles were believed to have been inspired by
the folk heroine’s pristine faith and her devotion to her husband. These
specific narratives have not only stood the test of time but have also become
so legendary and enthralling that the folk heroines are worshipped as goddesses
even in contemporary times.
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