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Traditions and Transitions folk narrative in the contemporary world |
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Literary critic, Trinh Minh-ha, has observed that
‘storytelling’ is “…the oldest form of building historical consciousness in
community…” But, in a modern world focused on globalisation and the primacy of
the written word, the survival of this form is increasingly jeopardised.
This paper will focus on the works of two authors, Patrick Chamoiseau, a
Martinican author who won the prestigious Prix de Goncourt for his novel Texaco
in 1992, and Edwidge Danticat, an emerging Haitian American writer, who has
also been the recipient of one of Europe’s pre-eminent literary awards, the
Premi Flaiano.
Chamoiseau is an outspoken advocate of the concept of ‘Creolite’ (creole-ness),
a merging of written and oral forms of narrative that pays homage to the spoken
story-telling tradition of Martinique. Similarly, Danticat defines herself as a
‘weaver of tales’ with a responsibility to continue telling the stories of her
country’s past, as Haitian people become increasingly dispersed throughout the
world.
This paper will examine the ways in which Chamoiseau and Danticat use
traditional stories and oral narrative within their written work to contest the
dominant modes of telling history and historicizing the past. In so doing, they
create a synthesis between oral and written narratives, and forge a past that
each nation can carry with them into the future.
References
Trinh T. Minh-ha, Women, Native, Other: Writing Postcoloniality and Feminism,
(Bloomington: Indiana University Press, 1989), p.148.
Edwidge Danticat, She Came a Long Way: Spotlight on Edwidge Danticat,
interview by Anna Battista at http://www.haitianconection.com/danticat.html
accessed on 31 October 2000.
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