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Traditions and Transitions folk narrative in the contemporary world
16-20 July 2001   The University of Melbourne, Australia

13th Congress of the International Society for Folk Narrative Research

Presentation Abstracts

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SHOJAEI KAWAN, Christine

Simone de Beauvoir’s Reflections on Popular Narratives and their Impact on Feminist Folktale Scholarship

In her popular cultural treatise The Second Sex (Le Deuxième Sexe, 1949), Simone de Beauvoir has analysed one of the basic myths of human society that she calls, with reference to Goethe, the myth of the eternal feminine. According to Beauvoir, it is through myths that patriarchal society “imposed its laws and manners upon individuals in a picturesque and sensitive way”. Whereas in an earlier paper I have discussed Beauvoir's conception of myth in general and the way she draws upon myths in her argument, it is now my purpose to examine her approach to one of the carriers of myths she evokes, namely tales - or more exactly, children’s literature and popular narratives.

It has only recently been acknowledged that feminist literary criticism was inaugurated by Simone de Beauvoir’s critique of literary myths in five famous authors (Montherlant, Lawrence, Claudel, Breton, Stendhal). The same may also be the case with feminist folktale scholarship - but at least it can be said that her argument anticipates feminist folklore studies by about twenty years.

Considering Beauvoir’s background, it is not surprising that she is only familiar with a limited stock of popular narratives: mainly several tales made famous by Perrault (who is not named), Andersen’s tales as well as some Catholic saints’ legends. Not only are the French fairy tale heroines most frequently referred to by Simone de Beauvoir - Cinderella and Sleeping Beauty - omnipresent as prototypes of so-called passive heroines in later studies, it is also striking that Beauvoir’s recurrent evocations of the figure of Prince Charming are echoed as a leitmotiv in feminist folktale scholarship. But if Beauvoir’s thought was inspiring, it may also be asked if her limitations may have contributed to the creation of a perspective on folk narratives which is, in certain respects, undifferentiated.

A B C D E F G H I J K L M main abstract index main congress page
N O P Q R S T U V W X Y Z