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Traditions and Transitions folk narrative in the contemporary world |
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This paper contains some results of a postdoctoral
research dealing with textualisation and hypertexts in Argentinean folk
narrative whose first results I presented in the twelfth Congress.
In this postdoctoral research I worked with a corpus of twenty narratives
collected during fieldwork in rural and urban areas of Argentina. In these
narratives I have identified the same thematic, compositional and rhetorical
pattern evident in the Meeting Death Tale (Aa-Th 332 Godfather Death
and E 332.3.3.1 The Vanishing Hitchhiker). Considering this pattern as a
narrative matrix, I have characterized the matrix as a blend of thematic,
compositional and stylistic features common to texts in different contexts.
According to my hypothesis, this matrix serves as a pre-text for different
textual versions filed in the living memory of tellers of folk tales. From this
standpoint, I propose an approach to folk narrative analysis that focuses on
the study of the creative process or ‘genesis’ of the message and on
hypertextual theory (Grésillon 1994:7). Following my hypothesis, the creative
process of the folktale involves the textual transformation of a pre-textual
matrix. On the other hand, I regard hypertexts as free links of textual blocks
that offer the possibility of deconstructing sequential discourses into
alternative itineraries (Nelson 1992:2). These alternative itineraries, filed
in the virtual memory of the computer, reproduce the filing process of
narrative matrices in the living memory of folk narrators.
In this paper, I will focus my attention on a text containing three versions of
this matrix. This text will illustrate the main alternative itineraries of the
matrix in the whole corpus: Death in the Ballroom, Hitchhiking on the
Road and Welcome to AIDS World. By means of an intertextual
comparison with two European versions, I will analyse how AIDS and
road-travelling topics act as metaphors of globalisation associated with
dangerous threats to local ways of life and review the contextual differences
of the stories.
In short, the aim of this paper is to point out the textual transformations of
a flexible pre-textual matrix whose bifurcation is the result of a genetic
process shown in a hypertextual deconstruction.
References:
Grésillon, A. 1994, Eléments de critique génétique. Lire les manuscrits
modernes, Presses Universitaires de France, Paris.
Nelson, Th. 1992, Literary machines 90.1. Il progetto Xanadu,
Franco Muzzio Editore, Padova.
| A | B | C | D | E | F | G | H | I | J | K | L | M | main abstract index | main congress page |
| N | O | P | Q | R | S | T | U | V | W | X | Y | Z |