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Traditions and Transitions folk narrative in the contemporary world |
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Immediately following the Second World War, the
Australian government instituted a revolutionary immigration policy that would
forevermore change the nature of Australian society. In the years from 1947 to
1954 some 170 000 refugees - so-called 'displaced persons' - arrived in
Australia from war-torn Europe under the auspices of United Nations
International Refugee Organisation resettlement. Breaking with previous
policies of British-dominated immigration, the Displaced Persons Mass
Resettlement Scheme was a bold initiative that had far-reaching effects beyond
the post-war years. The arrival of these 'new Australians' was a seminal
chapter in Australia's history that paved the way for the multiculturalism that
marks Australian society today.
Although the immigrants were penniless on arrival, they quickly arranged
themselves into communities and organised a social infrastructure for
themselves. Working within their own communities, the immigrants established
cultural organisations, dance troupes, choirs, newspapers, presses, churches,
meeting halls, and schools. With this a lively literary life also flourished
and a distinct literary culture emerged, a culture that included writer's clubs
and associations, recitals and festivals, competitions, and the production of
books.
I have researched the literature and literary culture of this particular group
of Australians - writers who came to Australia as so-called 'displaced persons'
immediately after the war. My research involved 'archaeological' work: I
personally compiled databases, contacted 764 community organisations across
Australia, liaised with seventy seven key individuals and found 295 writers. I
have since audio-recorded structured, formal interviews sixty authors.
In this paper I would like to analyse this ‘fertile environment’, interpreting
this body of Australian writing as a form of folk narrative in the contemporary
world. I will speak of these writers and their work as a discovered history. I
will address issues of diaspora, globalisation, national myths and community
identity.
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