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Traditions and Transitions folk narrative in the contemporary world |
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The 1870s and 1880s were a crucial point of development
for colonial Melbourne. The first generation of ‘eye-witnesses’ to the city’s
colonial foundations was rapidly passing, while gaining and maintaining
hereditary acceptance for the order they had instituted was becoming an
increasingly complex proposition. It was in this environment that the practice
of public history was born.
Drawing from long-established funerary and other traditions of monumental
masonry, civic leaders moved commemoration of the city’s pioneers from the
cemetery in to the central civic sphere. In so doing, they were building a
personalised and heroic material complement to the grand civic buildings that contained
the sphere.
The period from the 1880s to World War One represented a high point for
monument making in Melbourne’s central civic sphere. This paper analyses the
development and unveiling of two very different monuments: the statue of Sir
Redmond Barry, unveiled in front of the Melbourne Public Library in 1887, and
the Eight Hours’ Day monument, unveiled near Parliament House in 1903.
The paper explores some of the politics around contemporary social
relationships and the act of permanent public commemoration. It also identifies
some of the relationships between these two monuments, including their major
similarities and points of departure. In particular, it seeks to understand how
the role of generational politics, and particularly specific and purist notions
of ‘pioneerism’, underlay the development of and interaction between the two
monuments.
| A | B | C | D | E | F | G | H | I | J | K | L | M | main abstract index | main congress page |
| N | O | P | Q | R | S | T | U | V | W | X | Y | Z |