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Traditions and Transitions folk narrative in the contemporary world |
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The question of genres in folklore, although evidently
not of primary importance to past generations of scholars, has over recent
decades become the focus of attention of all serious research into folklore.
Today it remains a contested point, and one with significant implications.
The processes of describing specific genres and the systematic categorization
of these derive from the assumptions of two discrete groups of scholars. The
first group, the followers of the etic principle, is of longer standing and
proceeds by imposing preconceived categories on the material to be studied. The
second, or emic group, attempts to comprehend the systems of classification
that different ethnic cultures use to distinguish between the varieties of
expression in their own folklore. The rigid adherence of these two groups to
their own traditions has led to a theoretical and methodological deadlock which
is inimical to progress in the field of research into the genres of oral
folklore.
Starting with the conclusions drawn in my doctoral thesis, and focusing on
Spanish, particularly Andalusian, material, I have developed a way of
integrating both emic and etic systems. An account of the logical difficulties
encountered in the development, and the first results of the application of my
system are to be found in my article The metafolklore idea: The system of
genres beyond the etic/emic polarity (Spanish version in Revista de
Investigaciones Folkloricas, 14, and English version in Estudos de
Literatura Oral, 6). I propose to deal with the relationships between life
span and genres in folklore as a further step in the development of my theory.
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