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Traditions and Transitions folk narrative in the contemporary world |
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Folktales are sub-genres of oral culture that serve
multifarious ends. This paper examines selected Yoruba hegemonic folktales and
situates the concerns of gender representations within the contexts. The
discourse further evaluates the dynamics of culture in these tales. The
theoretical framework of the endeavour takes into consideration such yardsticks
as character, stereotypes, narrative techniques and thematic thrusts. These are
employed to expand the thesis that folktales remain a dynamic sub-genre of
African oral culture where issues of contemporary concern seek (and find!)
refuge. This is against the backdrop of a resurgence of the folktale motif in
the African creative imagination.
An attempt is also made to address the issue of gender roles as they are
mirrored in this selection of tales. It is an indubitable fact that hegemonic
tales as a base of study become pertinently foregrounded because of the social,
political and economic underpinnings inherent in them. It is therefore hoped
that the choice of hegemonic tales for the elucidation of theoretical
sensibilities shall serve as an exposé of how indigenous Yoruba societies are
structured, the contemporary implications of this. It is also envisaged that
the inferences that emanate from the present endeavour shall further reaffirm
the centrality of folklore in the interplay between tradition and change. This
paper contends that the folk tradition shall remain a melting pot, and a
cultural resource, to which contemporary critical studies can always turn.
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