Wells, A - "Music and Visual Color: A Proposed Correlation",
Leonardo, vol 13, no 2, Spring 1980, pp 101-107.
"Visual Music" exhibition, 23rd 11th Sept, 2005,
Hirshhorn Museum & Sculpture Garden, Washington DC
http://hirshhorn.si.edu/visualmusic
AND CATALOGUE
"Visual Music: Synaesthesia in Art & Music Since 1900", incl
K Brougher, J Strick, A Wiseman, J Zilczer,
Thames & Hudson, London, 2005.
Smoje, D - "Colors of Bach's Music: Farbsymphonien in Jakob Weder's Painting",
Music in Art, vol XXIX, nos 1-2. 2004
http://web.gc.cuny.edu/rcmi/Smoje.pdf
DE CLARIO
De Clario, D - "Seven-ness:sub-lunar" program notes,
Heide Museum of Modern Art, Heidelburg, Vic,
April-Oct 1995.
De Clario, D - "Advantage of Seven" exhibition notes,
Monash University Gallery, Clayton, Vic,
April 1997.
Gunn, G - "The Magnificent Seven: the Imaginary Worlds of Domenico de Clario",
Art and Australia, vol 34, no 3, Autumn 1997, pp 364-371.
Dutton, G - "Artists' Portraits",
National Library, Canberra, 1992.
Eagle, M - "Australian Modern Painters Between the Wars 1914-1939",
Bay Books, Sydney, 1990.
Edwards, D and Peel, R - "Margaret Preston",
Art Gallery of NSW, 2005.
Gertsakis, E - "Roy de Maistre and Color Music, 1916-c1920",
unpublished thesis, Fine Arts IV, Nov 1975,
School of Fine Arts, Classical Studies, and Archeology, Melbourne University.
Johnson, H - "Roy de Maistre: the Austalian Years, 1894-1930",
Craftsman House, Roseville, NSW, 1988.
AND
"Roy de Maistre: the English Years, 1930-1968",
Craftsman House, Roseville, NSW, 1995.
Pegus, A - "Colour-Music Rooms: Roy de Maistre and Marion Hall Best",
"Crosscurrents: Artwrite #24",
University of New South Wales, 2001
"Colour in Art: Revisiting 1919",
exhibition catalogue & symposium papers,
Ivan Dougherty Gallery, College of Fine Arts,
University of New South Wales, August 2008
Field, G - "Chromatics: or, the Analogy, Harmony, and Philosophy of Colours",
New augmented edition, David Bogue, London, 1845.
AND
Keyser, B W - "Science and Sensibility: Chemistry and the Aesthetics of Color in the Early Nineteenth Century",
Color Research and Application, vol 21, no 3, June 1996, pp 169-79.
Garner, W - "The Relationship between Colour and Music"
Leonardo, vol 11, no 3, Summer, 1978, pp 225-226.
[Reprint from Journal of the Society of Dyers and Colourists, 91, 1975, p 373.]
Macdonald, J D - "Sound & Colour: Their Relations, Analogies & Harmonies",
Longmans, Green, Reader, and Dyer, London 1869
http://books.google.com/
Mueller, R M - "Visic: A Proposal for a True Color Music",
Leonardo, vol 32, no 3. 1999, pp 177-179.
Newton, I - "Opticks: or, Treatise of the Reflexions, Refractions, Inflexions and Colours of Light",
Sam Smith & Benj. Walford, London, 1704, 1st edition; facsimilie, Impression Analstaltique, Bruxelles, 1966
AND
"Opticks", 4th edition, 1730, Dover, New York, 1952
http://books.google.com/ [missing diagrams]
Southcott, J - "Glover's Intellectual Odyssey",
Proceedings of the AMEL 17th National Conference,
Australian Association for Research in Music Education, 1995, pp 83-90
Gage, J - "Colour and Culture: Practice and Meaning from Antiquity to Abstraction",
Ch 13, "The Sound of Colour",
Thames & Hudson, London, 1995.
AND
"Colour and Meaning: Art, Science and Symbolism",
Ch 9, "Newton and Painting",
Thames & Hudson, London, 1999
Gombrich, E H - "The Essential Gombrich: Selected Writings on Art and Culture",
incl "The Use of Colour and Its Effect" , interview with Bridget Riley, 1992,
Phaidon Press, London, 1996, p 161.
Klein, A B - "Colour-music: The Art of Light",
Crosby Lockwood & Son, London, 1926.
AND
"Colored Light, An Art Medium", 3rd ed,
Technical Press, London, 1937.
Salmon, A L - "Colour in Music",
The Musical Times, vol 61, no 925. March 1, 1920, pp 162-163.
Cutietta, R A & and Kelly J. Haggerty, K J - "A Comparative Study of Color Association with Music at Various Age Levels",
Journal of Research in Music Education, vol 35, no 2, Summer 1987, pp 78-91.
Monteith, E R - "Colour-Music: Experiments in the Educational Value of the Analogy between Sound and Colour",
Proceedings of the Royal Musical Association, 39th Session, 1912-13, pp 85-102.
Rogers, G L - "Effect of Color-Coded Notation on Music Achievement of Elementary Instrumental Students",
Journal of Research in Music Education, vol 39, no 1, Spring 1991, pp 64-73
AND
"Effect of Colored Rhythmic Notation on Music-Reading Skills of Elementary Students",
Journal of Research in Music Education, vol 44, no 1, Spring 1996, pp 15-25.
Abbado, A - digital art
http://www.noisegrains.com/
AND
"Perceptual Correspondences of Abstract Animation and Synthetic Sound",
Leonardo, Supplemental Issue, vol 1, Electronic Art, 1988, pp 3-5.
Bishop, B - "A Souvenir Of the Color Organ, with some suggestions in regard to the Soul of the Rainbow and the Harmony of Light",
De Vinne Press, New Russia, NY,1893
http://www.rhythmiclight.com/books/HarmonyOfLight.pdf
Rimington, A W - "Colour-music: The Art of Mobile Colour",
facsimile of 1912 edition,
Elibron Classics, Adamant Media Corporation, 2005
http://books.google.com.au
Conrad, D - "The Dichromaccord: Reinventing the Elusive Color Organ",
Leonardo, vol 32, no 5, Seventh New York Digital Salon, 1999, pp 393-398.
Galeyev, B M - "The Problem of Synaesthesia in the Arts",
"Languages of Design" 1, 1993, pp 201-203
http://prometheus.kai.ru/probl_e.htm
AND
"Evolution of Gravitational Synesthesia in Music: To Color and Light!"
Leonardo, vol 36, no 2, 2003, pp 129-134.
Steen, C - "Visions Shared: A Firsthand Look into Synesthesia and Art",
Leonardo, vol 34, no 3, 2001, pp 203-208.
AND
ABC, Radio National, Health Report,
Interview with Dr Richard Cytowic & Carol Steen, 8/7/96
http://www.abc.net.au/rn/talks/8.30/helthrpt/hstories/hr080796.htm
Zilczer, J - "Synaesthesia and Popular Culture: Arthur Dove, George Gershwin, and the 'Rhapsody in Blue'",
Art Journal, vol 44, no 4, Winter 1984, pp 361-366
AND
"'Color Music': Synaesthesia & 19th-Century Sources for Abstract Art",
Artibus et Historiae, vol 8, no 16, 1987, pp 101-126.
Hubbard, T L - "Synesthesia-like Mappings of Lightness, Pitch, and Melodic Interval",
The American Journal of Psychology, vol 109, no 2, Summer 1996, pp 219-238.
Sacks, O - "Seeing Voices",
Picador, UCLA Press, 1989.
AND
"An Anthropologist on Mars",
Picador, London, 1995.
AND
"Musicophilia: Tales of Music and the Brain",
Picador, London, 2007.
