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AND CATALOGUE
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DE CLARIO
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April 1997.
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AND
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Pegus, A - "Colour-Music Rooms: Roy de Maistre and Marion Hall Best",
"Crosscurrents: Artwrite #24",
University of New South Wales, 2001
"Colour in Art: Revisiting 1919",
exhibition catalogue & symposium papers,
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University of New South Wales, August 2008
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Leonardo, vol 11, no 3, Summer, 1978), pp 225-226.
[Reprint from Journal of the Society of Dyers and Colourists, 91, 1975, p 373.]
Caivano, J L - "Colour and Sound: Physical and Psychophysical Relations", in
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"Colour and Music",
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AND
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Ch 9, "Newton and Painting",
Thames & Hudson, London, 1999
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incl "The Use of Colour and Its Effect" , interview with Bridget Riley, 1992,
Phaidon Press, London, 1996, p 161.
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AND
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Cutietta, R A & and Kelly J. Haggerty, K J - "A Comparative Study of Color Association with Music at Various Age Levels",
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Rogers, G L - "Effect of Color-Coded Notation on Music Achievement of Elementary Instrumental Students",
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AND
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Bishop, B - "A Souvenir Of the Color Organ, with some suggestions in regard to the Soul of the Rainbow and the Harmony of Light",
De Vinne Press, New Russia, NY,1893
http://www.rhythmiclight.com/books/HarmonyOfLight.pdf
Rimington, A W - "Colour-music: The Art of Mobile Colour",
facsimile of 1912 edition,
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http://books.google.com.au
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Leonardo, vol 32, no 5, Seventh New York Digital Salon, 1999, pp 393-398.
Galeyev, B M - "The Problem of Synaesthesia in the Arts",
"Languages of Design" 1, 1993, pp 201-203
http://prometheus.kai.ru/probl_e.htm
AND
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Leonardo, vol 36, no 2, 2003, pp 129-134.
Zilczer, J - "Synaesthesia and Popular Culture: Arthur Dove, George Gershwin, and the 'Rhsapsody in Blue'",
Art Journal, vol 44, no 4, Winter 1984, pp 361-366
AND
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Sacks, O - "Seeing Voices",
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AND
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Picador, London, 1995.
AND
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BIOGRAPHY
