DA CAPO SINGERS
Information current as at MARCH 2008
CONTACT DETAILS
PO BOX 1027, NARRE WARREN MDC VIC 3805
Jay Van Dongen, President, (03) 5943 2426 (AH)
Simon Loveless, Musical Director, (03) 9707 2036 (AH)
Choir's Email Address: dacaposingers@yahoo.com.au
Choir's Website: www.geocities.com/dacaposingers/
DETAILS ABOUT THE CHOIR
Vision statement / Artistic goals: To perform choral music to a high quality and to facilitate and promote the performance and appreciation of choral music in the community; we aim to perform choral music from a variety of styles, eras and cultures with a particular emphasis on supporting original music written by Australian composers
Voice type: SATB
Choir performs: Both unaccompanied & accompanied
Year Choir formed: 1997
No. of Singing Members - Currently: 17 Desired: 20-24 (5-6 voices per section)
Musical Repertoire: A broad range of quality music from all styles and periods of music; currently focusing on contemporary Australian music
Musical Director: Simon Loveless
No. of years in current post: since Jan 2007
Previous musical experience: BMus (Melb), LMusA (Piano); Simon is currently the director of the RMIT Concert Choir and the Da Capo Singers; previously he has directed the Berwick Youth Choir Chamber Singers, and was assistant musical director of the Cranbourne Chorale; Simon works primarily as an accompanist, and in that role has worked with many of Melbourne's choirs; currently he is accompanist and tutor at Berwick Youth Choir and Yarra Ranges Children's Choir; in addition to his activities as a conductor and accompanist, Simon sings in the Melbourne Chamber Choir, and serves on the ANCA Victorian State Committee
Choir's past collaborations with other musical groups: Berwick Youth Choir, Kodaly Choral festivals, Dandenong Ranges Music Council Centenary of Federation project, Maroondah Symphony Orchestra, Yarra Valley Singers, Yarra Ranges Childrens Choir, Cecilian Singers, Concordis
JOINING REQUIREMENTS
Audition: Yes - based on musical literacy, aural skills, voice quality; previous choral experience desirable
Minimum Attendance policy - Rehearsals: Yes Concerts: Yes
Membership Fees: $50/quarter ($40 conc.)
Ability to read music: Essential
Sight-reading ability: Highly desirable
REHEARSAL ARRANGEMENTS
Av. No. of rehearsals/week: 1
Usual rehearsal night(s): Sunday
Suburb: Berwick
Rehearsal venue: Berwick Masonic Hall, High Street
Off-street parking: Yes
PERFORMANCES
Performance Apparel: Black, with red tie or scarf (provided), choir polo shirt for some casual performances
Av. No. of Concert Programs/year: 2
Av. No. of Performances/year: 5-10
Sample of the Choir's past Concert Venues: Melbourne Concert Hall, Christ Church (Berwick), Sale Cathedral, Storey Hall (RMIT) (Choralfest 2000), Coatesville Uniting Church, Robert Blackwood Hall (Kodaly Choral Festival), Clover Cottage, eisteddfods including Waverley and Royal South Street (Ballarat), Melba Hall, Wesley College, Xavier College Chapel
Examples of musical pieces performed: Three Australian Bush Songs (Grandage), Four Romantic Choruses (Brumby), Hush (Grandage), Morning Song For The Christ Child (Sculthorpe), Rockin Jerusalem (Thomas), I'm Gonna Sing 'Til The Spirit Moves In My Heart (Hogan), Sail Away (Dalglish), A Gaelic Blessing (Rutter), Cantique De Jean Racine (Faure)
Touring: Yes - Melbourne Metro Area/Regional Victoria/Interstate
CHOIR'S ADMINISTRATION
Administration / Governance arrangements for the Choir: The choir is an Incorporated Association
Types of Committees: Management Committee, sub-committees are formed around specific projects as required
MUSIC LIBRARY
Own collection of music scores: Yes
Available for hire to other groups: Yes
Hiring fees apply: Yes
Back to ... ALPHABETICAL INDEX OF CHOIRS & VOCAL ENSEMBLES
DISCLAIMER : Whilst much care has been taken in compiling the information in this Guide, it is possible that errors may have occurred. So, please email Karina Gough with corrections, and they will be made as soon as possible.
Copyright © Karina Gough WARNING: All Site content is owned by the Editor, and is not to be reproduced elsewhere without permission of the Editor.