ࡱ> yfrn  !"#$%&'()*+,-./0123456789:;<=>?@ABCDEFGHIJKLMNOPQRSTUVWXYZ[\]^_`abcdefghijklmnopqrstuvwxz{|}~Root EntryF@_l/Objectsl/>l/Internal Contents  !"#$%&'()*+,-./0123456789:;<=>?@ACDEFGHIJKLMNOPR &FMicrosoft ClipArt GalleryMS_ClipArt_GalleryMS_ClipArt_Gallery9q 4b v  X  X &_FMRIB  vC XX(X f3ff3ff3ffffffff̙ffff3fffff", "@^\ ``tjtj;;>>95))DnFHJLNPRTVXZ\^`bhjl   fv6@C2,,$$pp L0#.,-h59EF2 Beyond Ben Bulben is the title of a group of men and women in Victoria, Australia who have a shared interest in the work and life of William Butler Yeats (1865 - 1939) and the lives and work of his father John B. Yeats, his mother Susan Yeats (nee Pollexfen), his brother Jack B. Yeats and his sisters Susan Mary (Lily) and Elizabeth Corbet (Lollie) as well as the work and lives of his contemporaries: e.g. Lady Gregory, AE, George Moore, Oliver St.John Gogarty, James Joyce and many more. Beyond Ben Bulben issue a thrice yearly 18 page newsletter with book reviews and articles on Ireland, its literature, its history and its people. We also publish poems from our annual W. B. Yeats poetry Prize and the Jameson Whiskey Bad Joyce competition. It is available by subscription of AUD $12. 00 (Air-mail outside Australia) dfoley@eisa.net.au According to MacLysaghts The Surnames of Ireland the name YEATS means dweller by the gate. A more appropriate name could not be found for William Butler Yeats, for all his lifes work leads us into the intellectual truth of life. BEYOND BEN BULBEN Editor/Secretary Declan Foley 6 Samuel Close, Berwick. Victoria 3806 Australia Phone: (03) 9796 0811 Fax (03) 9796 0833 web page: http://avoca.vicnet.net.au/~bulben/ Best experienced with Click here to start. Microsoft is a registered trademark and the Microsoft Internet Explorer Logo is a trademark of Microsoft. Cast a cold eye On life, on death. Horseman, pass by! W. B. Yeats Beyond Ben Bulben Celebrating the work of W. B. Yeats and his Circle PREVIOUS PAGE FRONT NEXT PAGE The Annual W. B. Yeats Poetry Prize for Australia and New Zealand closes on December 31. First Prize $300 Second Prize $75 Commendation Certificates Open theme Not more than 50 lines Previously unpublished poem No identification of author on poem Name and address on separate page Stamped addressed envelope for return of poem and results No correspondence will be entered into about any poem or the results of the competition. entry fee is Australian $5 for first poem and $4 for each additional entry. Home Page | More About Us | Related Sites | What's New | Event Calendar Please note that Beyond Ben Bulben publish the First, second and commended entries in their newsletter as well as a selection from the competition on their web site. If you DO NOT WANT YOUR ENTRY PUBLISHED please notify at time of entry. It is our intention to publish a selection of 100 poems from the competition between 1996 and 2000 to commemorate the Centenary of Australian federation in 2001. Beyond Ben Bulben Celebrating the work of W. B. Yeats and his Circle THE JAMESON WHISKEY BAD JOYCE WRITING CONTEST!!!! Attention James Joyce Fans And anybody who had a hard time wandering through Ulysses, suspecting that Joyce had a serious spelling disorder. Or maybe, you want to get back at your English professor! REJOYCE! and enter the Jameson Whiskey Bad Joyce Writing Contest. In honour of Bloomsday, June 16, the day in Leopold Blooms life recorded in James Joyces Ulysses. Beyond Ben Bulben, Jameson Whiskey and Collected Works Bookshop are sponsoring a bad Joyce writing contest. RULES!!!!???? A parody of not more than 200 words! Attach(NOT STICK) four 75cent stamps to each entry Entrants must be residents of Victoria State Submit by June 1 1999 to Jameson Bad Joyce Competition Collected Works Bookshop Flinders Way Arcade 238 Flinders Lane MELBOURNE 3001 Judged by: VLADINMIRE POKETHANKERTSCHEFF 1st Prize. A bottle of Jameson and a $50 book voucher 2nd Prize. A small bottle of Jameson and a $25 book voucher 3rd Prize. A glass of Jameson and a dog-eared book! PREVIOUS PAGE FRONT NEXT PAGE BLOOMSDAY ENQUIRIES DECLAN FOLEY 9796 0811 Our activities throughout the year include: The commemoration of the death of W. B. Yeats with readings at COLLECTED WORKS BOOKSHOP in Melbourne City on the 28 January. The presentation of the winning poem from the W. B. Yeats Poetry Prize at The State Library of Victoria on St. Patricks Day (17 March). Readings for W. B. Yeats birthday at COLLECTED WORKS on 13 June. BLOOMSDAY readings and competition on June 16. Seminar or Debate in August or November. Our last debate was: Yeats or Joyce: who was the radical? Beyond Ben Bulben Celebrating the work of W. B. Yeats and his Circle PREVIOUS PAGE FRONT NEXT PAGE 1997 W. B. Yeats Poetry Prize Congratulations to JUDY JOHNSON of Newcastle NSW as the writer of the winning poem in the 1997 W. B. Yeats Poetry Prize WATER-WHEEL MAN Every dawn he is there swimming freestyle behind the waves. Each limb-measured stroke seems to lift the sun further up and over the horizon. Yet despite this, and the red sea parting beneath the directive of his palms, he is clearly not Gods understudy. A fulcrum pivots between his shoulder blades; his pendulum neck swings No to the mortal implication of each breath. And those curved hands are fixed in their repetitious scooping, up and over...bailing out one small rowboat in the day already sinking b b b Since its inception in 1996 the W. B. Yeats Poetry Prize for Australia and New Zealand has been well supported from around Australia with smaller numbers from New Zealand, but, as time goes by I am certain the news will spread in New Zealand. Any person who writes either poetry or prose has at times a lonely life. Mainly, in order to concentrate on your theme you have to withdraw from all other activities. Just as a seed in the ground, is on its own, so are you and your work. When it blooms it is beautiful and joyous to its creator. Then like many before us and many to follow us we submit it to a different mind for criticism. The report that comes can elate us or deflate us, but, as this is part and parcel of writing we return to the drawing board and have another go. As the recipient of the entries I glance at them to check the details of title etc., number each entry before I file it separately from the entrants name and address. In the first week of January the poems are photocopied and sent to the judges with any identifying details removed The judges have two months to complete their report. The amount of labour involved is surprising when you add up all of the entries, but, I must say it also very enjoyable and rewarding to read the poems after they have gone to the judges. This year I decided that a separate award from Beyond Ben Bulben under the title the AE Award would be appropriate. It is with great pleasure that I nominate the poem: Prisoners submitted by Mrs Stevie Abbot-Richards of Sterling South Australia as the inaugural recipient of the AE Award. AE (George Russell) contemporary of W. B. Yeats, mystic, poet, statesman, inspirer of many young men and women, in their writing. George Yeats, wife of W. B., once described AE in his lifetime, ...as the nearest thing to a Saint that you could meet on earth. Stevie wrote her poem in response to her detractors who derided the prisoners she visits in South Australia. Prisoners who are from other States in Australia and rarely have relatives visit them. Sincerely Declan Foley Secretary Beyond Ben Bulben March 1998 Report from the judges of the 1997 Poetry Prize. Elaine Barry and Kevin Brophy Water-Wheel Man (the prize-winner) Lake in Winter (equal second) Brendan's Monks (equal second) The 1997 entries came to more than 250 poems, almost double last years competition a tribute perhaps to the high standard set by the award in its first year. Subjects ranged from Greek mythology to contemporary events such as Dunblane or the death of Princess Di, from landscape poems to dramatic monologues. In terms of form, poems in free verse easily outnumbered those written in traditional rhyme and stanzaic pattering. What they all affirm is that poetry is large, as Walt Whitman said about the Self, and can contain multitudes. There is no limit on what it can express, or how. It was most surprising to us that on our first consultation, we were able to narrow the possible prize-winners to about two dozen poems. This means that, realistically only one in ten poems stood a chance of winning or being commended. The quality of the entries was uneven. Many were not professionally presented. There is nothing wrong per se with hand-written copies as long as they are legible, but poor spelling and grammar detract from any written expression. And every entry should conform to the entry guidelines about submitting an anonymous script. It was distracting to read poems where the writers name had to be blocked out - and time consuming on the part of the convenors, one might add. The reasons for rejecting poems as possible prize-winners are complex and, because the judging is a very human process, not always consistent. Mostly the reasons had to do with a poem not gripping the imagination or staying in the memory of a judge. Many poems had fine and arresting lines or images and much subtlety but needed more drafts and more rigorous editing to bring them to a higher standard. In competitions it is inevitably the more original poems and the more well constructed ones that stand out. The best poems were those which did say something fresh and memorable, using the resources of poetic language and form imaginatively to shape their meaning. The prize-winning poem for 1997, 'Water-Wheel Man', is a successfully original, tight and emotion-charged poem which opens out a harmony of associations and connections with almost every phrase. It plays with paradox in the way that poetry can do so powerfully. It is both a celebration of dawn and a reminder of the repetition of death in every cycle of life. The judges both agreed quickly that this was an outstanding poem. The second-place winners and the commended poems are a varied group, and give some indication of the range of talents, subject matter and poetic approaches taken by participants. 'The Lake in Winter' is a successful poem of observation and sympathy, keeping its focus on the lake and its images clear, strong and original. 'Brendan's Monks' is something of a virtuoso performance by a poet with a fluid and masterful control of sound, image, voice and allusion. Commended poems ( not in any particular order): "Drumcliff Churchyard Revisited" by S. M. Braint of North Hobart, Tasmania A highly literary poem that plays beautifully on Yeatian images and rhythms to make its own commentary on the great themes that Yeats explored. "I am Seven" by Tessa Theochardus of Townsville, Queensland An ambitions attempt to convey the responses of a seven-year-old's sense of marginalisation. Details of loss and disappointment are juxtaposed with ones of feisty self-assertion, though some ("Ego Schiel's painted women", "Parisian whore child") remain too cryptic to be fully effective. "Semester Break" by Kevin Murray of Balwyn, Victoria. An intelligent and well-crafted poem, casting a cold eye on both the intellectual and sexual pursuits of the academic couple yet sustaining a certain pathos in the relationship, particularly in the final two stanzas. "Crocodile" By Julie Constable of Stony Creek, Victoria Although the relationship between the various vignettes of Thailand that make up this poem is not always clear, the arresting opening is well-linked with the dramatic final section of the poem, with its strong imagery. "Molly Malone: the True Story" by Don Topley of Ferny Creek, Victoria A delightful playing on "Cockles and Mussels", reminding us that poetry can be fun. Both the rhyming and the rhythm are wittily sustained, though the last line falls away a bit. "Remember Mario" By Alan Eustace of Hawthorn, Victoria Well-sustained narrative of an "epiphany" moment in a Balinese market. Use of present tense, and especially the present participle, gives dramatic intensity; and the poem works largely because it lets the incident carry its own meaning, without comment. "Toward the Day" By Michael Henderson of Mortdale NSW A strongly-observed landscape poem, with a good dramatic development sustained by the imagery and reinforced in the final line of each stanza. Some striking images --eg "The tallest trees/ stand straight like the midnight hour hand/ and hold back time." BRENDANS MONKS Sweet Jesu! the bone-crush of a seventh wave, and a swill- song for Epona (Oh sister, ride over us), a prayer to Christus Forkbeard: Remember us, should our guts break open and we wash up into your bothy... Long after we forget land, before we reinvent it, Brendans our crazy father, constant star-point, wind-leathered, blue-fingered, cormorant eye bulging against webs of salt. Does every mad hero clasp a shield of useless visions in front but only hold the knowledge of the next word needed? Against the rosary clack of oars, sheets and rudder-pin, I know it takes more handspans now to set the horizon. So what does he go by, but memories of seagull spit, soft vulvas of shellfish, a finger stain on the parchments creases, a lodestone buried at birth in his head. And if we eat him, hell just be wrought our newest god: no good having this ones breath boiling in our dreams. Let me tell you my plenty of them: one night the rowlocks turned into quail soon minced by taloned skies, each wave-swell bore a pannikin of wept berries; once we fell right round the cauldrons starry belly; waking once to the smell of pigs, beeswax and bookdust; and once, the black once I saw him, waist-deep, giant-fisted, cursing Gods ocean for burying his denied new land until he stopped down deep to drag it and us up out of its coldest pit. Equal Second by Paul Hutchinson of Melba ACT. u u u THE LAKE IN WINTER Black swans are on the lake now, canoeing the inner-sheen of winter-dark water, and thrusts of red bills sound the air like radar. Suddenly, bottoms up, they graze the depths, dabble in absurd ballet as a broody straddles her nest, and waits. The winning entry of the AE Award for 1997 is: PRISONERS The wall looms up to meet me Slams grey concrete into my gut! We all put up walls Slam grey concrete into each othersguts. Official place for punishment For only the persecuted few, Yet all have sinned, All fallen short Not all are caught. What sins have I committed? I have not loved where I ought to have loved, I have killed reputations with my tongue, I have passed on stolen secrets, I have deserted, jumped ship When life became too real. My thoughts have been murderous, My judgements have slain All sin is the same In the eyes of God. I have done what I ought not to have done Kept the change, Pushed the buttons, Whinged, criticised, snapped. I have not done what I ought to have done Helped out, gone the extra mile, Praised, listened, appreciated. SINNER! I forgot to give thanks For my health, my kids, my home, MY FREEDOM! And yet I have it still, I dont deserve to be ON THIS SIDE OF THE WALL. Forgive me Lord, as you forgive all, Our gentle jailor, You.......always leave the door open. by Stevie Abbott-Richards of Stirling , South Australia PREVIOUS PAGE HOME NEXT PAGE PREVIOUS PAGE FRONT NEXT PAGE (Continued on page ) (Continued from previous page BEYOND BEN BULBEN Celebrating the work of W. B. Yeats and his Circle EDITOR/ SECRETARY DECLAN FOLEY 6 SAMUEL CLOSE BERWICK, VICTORIA, AUSTRALIA TEL 03 9796 0811 FAX 03 9796 0833 PREVIOUS PAGE EMAIL dfoley@eisa.net.au FRONT Beyond Ben Bulben Celebrating the work of W. B. Yeats and his Circle PREVIOUS PAGE FRONT NEXT PAGE (Continued on page ) PREVIOUS PAGE FRONT NEXT PAGE Recommended Links http://www. readireland.ie rossespoint yeatslst@ns.rtc-sligo.ie more anon (Continued on next page ) (Continued on next page ) (Continued on page ) (Continued from previous page) (Continued from previous page ) (Continued from previous page ) Page Two Page Three Page Four Page Five Page Six Page Seven Page Eight Page Nine Page Ten Page Eleven Page Twelve PREVIOUS PAGE FRONT NEXT PAGE PREVIOUS PAGE FRONT NEXT PAGE Beyond Ben Bulben Celebrating the work of W. B. Yeats and his Circle A flight of wild-duck touches down with scarcely a splash. the cousins have arrived, and for now, my water families share the season. Soon, cream cygnets will cruise in line astern, learning survival, till a silent signal calls them away, I know not where. Equal Second by Patricia M. Virgin of Port Lincoln, South Australia First three entries in 1998 Jameson Whiskey Bad Joyce Competition first prize bloomingdales theres always something even when you get them made up that black skirt I had and what I paid the hem dragged at the back its your bottom she said O Lord never went back there she said if its my sewing ill eat my and the facing on that green same colour as the pool at the Surfers Hotel the tiles came from Italy the cost they said O Lord and what we paid for that holiday pfooh the buttonholes are hand sewn even the lining is beautiful silk so it should be I could take the shoulder pads out and the pockets are always and the colour thats what made me stop not that its mine but a change it sings out so bold you cant resist and end of season yes and the quality O yes a classic I shouldnt could put it on the plastic yes those buttons a touch of real yes feel the so yes and it would be warm even the colour yes she said wrap it for you and Ill wear it I said pulled it over my old yes I said O yes I will Yes. Catherine Bateson Kyneton Victoria Second Prize James Joyce at the second test match Battle is joined with a cut, drive, hook, pull, hoick. Doubly redoubled strokes upon the foe. Flick, guide, stroke, caress, a tickle round the corner. Queer expression, tickle the ball. Tickled my grandfathers ball with a feather. I see them stand like greyhounds in the slips. Mid off, mid on, fine leg. Two fine legs ifaith, one square, the other long. Molly in that nightdress on our wedding night. Amore, amore. Hes gone for a duck. Ebbene, vado lontana. Must stop at the poultry shop, get something for Molly. Duck egg, means nought. Nought, nothing, zero, nil, love, nihil, nul point. Strange that it should be a duck. Why not partridge, grouse or ptarmigan? Ptaylor went for a ptarmigan. But soft, who comes here? From the Great Southern Stand he streaks, unbreeked, barearsed, in the buff, the full Monty, his balls a-swingin i the air, a stubby in his hand. In his cups, to the stumps he runs, he jumps the stumps, the umpire ducks. O monstrous! the batsman swings and tickles his balls, with a mighty roar the streaker falls, and down, down, down crying nevermore, nevermore, nevermore, amen, amen, amen. Nick Gadd Spotswood Victoria. PREVIOUS PAGE FRONT NEXT PAGE Third Prize THE FIRST COMING Breathe, said Gaspar. Ventilate, said Balthazar. Peristaltify. Melchior, the wisest magus of the three, spoke no evil, crossing his sternum and such a bridge should he come upon it, eyes cast mangerward to the divine parturition, the sight of Mary skewering in the bloodstraw, the deathface evident underneath her own as she endeavoured to expel the saviour from her nether sanctuary being nought to write home about and surely deserving of a modest myrrh reticule if nothing else. I can see the head, roared Joseph the terrestrial da. Low, spoke the cattle. Keep the clamour down, importuned an ostler nestled downstage in motheaten horseblankets. Some Nazarenes need to work for a livelihood. Wethers baaed. Camels expectorated. Indeed most stood anticipatory in the advents imminence, temples fast on the heels of the messianic lugs, a liquorslick skull drooling caul and the lord knows what else. In Red Sea fashion Marys perineum preternaturally parted boding the godhead mundanity. The tot shot forth, his enzymous bungee wombound in nostalgous gesture before Joseph saw fit to snip the cord with emasculative shears and distribute stogies bulkbought in the worlds inaugural Christmas sale. Thank God thats done, spoke Mary. David Astle Thornbury Victoria. b b b The one who came too late! (To be judged that is) The one who came too late! (to be judged that is). AMOK SUMMERY OF BLOOMSDAY Bad choices, but Joyces beJasus ! Long ago and far away in the Celtic tweelight under the short rein of Headwood the Savant, a new day dawned unique like any other over the fair city of cuckolds and mudshells, universal quaquaversal, dublin up with myth cerebrating a tumotley exPoperiation of the Kinksinglish by vigours of speech, wordiplay and logorhythms. A cryrptic a crostic A grinning fellows joyshtick Look upon these doubty wights, ye mighty, and rejoyce: Stephen, the deedless man of action, soulsmith of stognation, garrulsome and quarreloose, sighing for the sire who sailed away on shivery timbres with the muddle crass of many layers, left groining under the fardels of a Hamlet complex to bear danegult for generations unborne : Leopold, the bereaved patriarch, pieceable and passedover, ruddiless adrift, ortcast from the lust drives of Wasrael (roll the readcall of whathaveyounames... O Donoghue, O Donovan, O Davis, O Dysseus ...) caught of conscience, tried of jewry, sent up for life with whored liebe. A stiff sentence, I has you Erse. These twain shall meet, eponym and epihebe, strawilng in the corroded straits of tocapitalls clutterways, clatterwheeze, glitterwise. Plurabelle pause oftly till I end my song While the company of the round tower breaks fast in slow time uxorious Poldy is proferring burnt offering to Madame Psychosis. Stephen, ineluctant pettycogue selfpoortrade as a pulpable freud sent to diddle us, converses in alternating currents with Doctor DC (up to his old monkistricks ) while golden lads go jabberwhacking on the hockey pitch, then tooks his pay into his pocket picking at the agnebitten scabs of inwit. Leopold, commercial travailler solicitous of pervertising, escorts Paddy Dignam to the interment camp before trading spaces in the dark titanic ells of massprint. Metaphysician, heal thyself Stephen holds forth at the babblic library in theoassociative autoanalysis : Divine the ills that ail your soul and even more your entelech. Are you choked with aridsdottle ? Soothe those cuffs and scolds with ready haplycation of a quinine solution, the oiled fumula in a new pottle. Chants meeting at dusk Onthestrand, that littoral merritime, Ophelia McDowell, gamin and skittish, swoons in the shallows under the rugged red glare of the darkening Bloom, a matter of mute misdebating with nary a word and wary a glance until suchsweetsorrow - anticline acts issuing in wick undipped and lamp untrimmed. Plurabelle phrase aptly till I end my song Ten at pray, its heytime at the Hippocratice temple and Mr Pureofaith must have been gaining his indulgences in the sacrament of Extreme Conjunction for, as a comesequence of their ha-ha, heres Minne brought to term again and bedded for the birthing of her ninth in almost as many years, while the worthies explound a veritable ninefold of babytraps framed in enceinte prostyle. As I was walking down Mabbot Street Here Comes Everybawdy Fibbers car has dipped below the rim right long ago, and the cloaca of darkness has descinded upon Cissys menarecherry, all prick and no pennies mightier than the sword, more porter than puta, sheiks all, shicks all, fond Erinvolk. An enorgy of dissolutionment ensues in which Leopold and Stephen entertwine their dreamwork in self excusation amidst a blathera of boysterity and angrymoanious hicschanges, and a smashing time is had by all. purrowling in the menstreets of nicktown Catechism beggaring the questor Straylamb the prodigal father has returne ! sound the toxin, spray the fetid cough, loft alight the pastcall candle, join in unisong eulogies of tallowmakers onsent Agnosts Day ! Plurabelle pray swively now I end my song Soft ! the former Marion Tweedy lies swooning in the deeps, armed against reality in panoply of reverie, tossing on the billows in the Oisin of Morpheus, feliciter in fideliter feasting on the freepast backoning to the present in eidertime. Maudlin Rose of Castellano monsignora moohair faultsome are Tilde mad Oona Daisy 80 Dolores. Under the moreish will she waits, she wants as was her wont to lie, to weep, purchase to dream, a consumption devouredly to be - whssht ! - I hab taken you on a Mobys trip evercontinous, illbeit squared the vicoish circle, Victorias long rain is over and its turned out fine again. Endsleep ! John Flaus Highett, Victoria oncst of sidknee. Judges comments: Hoo dus dis fello tink he ess. Lot moor dan too hundred vords here, more like tree tousand! Jus as vell he missed the boat and de train and de plain!!! 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