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Gone, the mouldering ambience of backstage privilege intimacy with theatre ghost spellbound audience the spine-tingling recognition of ancient archetype the religiousness of an empty theatre Left, with a bulging basket of paper memories train tickets to long forgotten destinations photos in scrap books of another me opening night telegrams, theatre programmes evidence of treading the boards on a thousand raked, wooden stages And the lingering smells ephemeral, abstract of make-shift dressing-rooms stale, second-hand costumes false eye-lash glue, panstick base the garish white greasepaint of decadent, hellish plays the reflections, the silhouettes in backstage mirrors of hungry, posturing actors comely, naked bodies parted, seductive, scarlet lips narcissistic femme fatale's and the cynical, knowing 'old hands' with theatre in their veins ephemeral experiences the burning recognition of heroines, long lost legends to be able to see for it was not captured on film or recorded on tape or even written about at any length it is as if the air took it disseminated it to the four corners of the hungry, uncaring universe that it exists no longer and all that is left are fragments of dreams time's faint impressions The sound of a familiar line or voice the expression in a pair of eyes the incline of a head in mood the ambience through resonance of a period in time the lonely feeling of waiting to audition on a vast, unfamiliar, empty stage alone, with only one frail body and summoned courage to rely upon the hopes, the expectation, the ambition the drive, the desire, the desperate wish to win a part in the play that is life and all that matters is the moment---(Pamela Sidney)--- - - Return to "The Stick Trick" Index Page
Taken from Pamela Sidney's book "Radical Heart" published by Isis-Maat Publications.
Published in "Salvaged from Coreys" Volume 2 Issue 2