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Newsletter and IYOP Initiatives Australian Coalition '99 |
A commentary by Martin Thomas
Photographs can have their own fecundity. The gallery not only houses
images but facilitates their generation as memories and sensations come
floating through. These photos of naked, older women are large, their
format square (suggesting an evenness in proportion). With the power of
magnification, the changes time has wrought upon the body, the fineness
of wrinkled flesh, the tissue texture I know so well from holding my
grandmother's arms, are simply stated.
A veil has been dropped, and shielded from the returning gaze it is
kind of safe to play voyeur. Depiction of the nude is typically
inextricable from issues of sexuality and desire. Hence the revelation
of seeing nudes where these factors are not at the forefront; which
state with a certain brutality the warts and all reality of a time in
our lives. No part of the body is hidden from the all-seeing lens.
Scars, stretch marks, pubic hair coarse or absent, the patches
discretely worn for hormone replacement purposes, are there in all their
nakedness.
These images are not really about making beautiful what is usually
maligned as some commentators have suggested. That is only part of the
story. Beauty is hardly omniscient among the young, and among the aged
it tends to leap out only here and there. Certainly I find beauty in the
torso stretched and stretched again by its erstwhile inhabitants who
have left a vessel, perfectly tempered, that has done everything it was
designed to do.
But there is much about old age that is cruel, painful and
debilitating, that rots the body or - maybe worse - decays the mind. One
part of the exhibition shows women in geriatric care. Some suffer
dementia. There is a frightening portrait of an old, old woman. Her
hands block her eyes to speak all too plainly in their silence of
unresolved grief. As rich in narrative as the bodies themselves, are the
signatures of the models - they all gave written consent - which the
artist has reproduced, enlarged and displayed alongside the photo of its
maker. Some commence with a certain assurance then drift off into
doodleland. Others have that tight studied control that expresses
poignantly the concentration involved.
Ultimately, I felt a deep sense of gratitude from this experience: not
just to the artist but to the many women photographed who were brave
enough to show their bodies as they are. Amidst the mixed bag of
feelings it generated - fear, admiration, mirth, the oddity of being a
man and encountering these secrets of womanhood - were moments of such
richness and resonance.
For more details contact
UPDATE NO 10 June 1999
Age and Consent - A Photographic Exhibition by Ella Dreyfus
STILLS GALLERY
Phone :
02 9331 7775
Fax :
02 9331 1648
Email :
photoart@stillsgallery.com.au
Website :
www.stillsgallery.com.au
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