history




PRECIOUS SALVAGE

Robyn Annear



Grace Karskens
Inside the Rocks:
The Archaeology of a Neighbourhood

Hale & Iremonger $34.95, 240pp
0 868806 666 4



AN GETTING HOLD OF Grace Karskens' new book, I went straight to the colour plates of artefacts resurrected from the neighbourhood of the title, part of the historic Rocks area of inner Sydney. I love to look at salvage: pieced-together dinner plates, dolls' heads, and brass buckles and buttons whose verdigris defies any amount of elbow grease. But the photo that really grabbed me was of a dug-up gold wedding ring, modelled on one finger of a hand neatly manicured but for a crescent of black dirt embedded deep under the thumbnail. To me, that minute trace of the Rocks neighbourhood spoke vividly -- more so, somehow, than any of the scrubbed-up artefacts -- of the peculiar joys of dabbling in other people's cesspits and of the adventure into history that underlies Inside the Rocks.
    The Cumberland-Gloucester Street excavation ('the Big Dig') took place in 1994 on the site of two half-city blocks in one of the first-settled areas of colonial Australia. Supplementing the archaeological team were four hundred volunteers, many with family links to the site. Between them they recovered three-quarters of a million artefacts. Thousands of visitors toured the site to gaze 'over the ruins of lost Sydney emerging gradually from its grave'.
    Grace Karskens was a natural choice for project historian on the Big Dig. An historian and historical archaeologist, she had first researched the site in the mid 1980s, and her PhD thesis on the area's history (published as The Rocks: Life in Early Sydney, MUP 1997) was well underway. And it is clear that neither the getting of academic credentials nor the 'often decidedly unglamorous' practice of archaeology had dulled Karskens' aliveness to
that sense of connectedness with the past, the immediacy of the physical, the tactile dimension, the recognition that though these generations of people have gone forever, they nevertheless left behind all these places, spaces and things.
    With Inside the Rocks, Karskens attempts to knit an historian's equivalent of the impossible fair-isle jumper, drawing together the threads of archaeology, genealogy and oral history, with conventional historical research and a fleck of informed speculation. The abundant historical photos and illustrations are interspersed with shots of some of the 'buried treasure' unearthed by the Big Dig. Not just the pretty things and curiosities, but the long-buried stone-flagged floor of the Bird in Hand Hotel and 'the Byrnes' magnificent stone cesspit'. The excavated brick and stone footings of the Byrne family home -- built c.1807, demolished about 1860 -- don't tell much of a story on their own. ('Artefacts,' says Karstens, contesting a popular belief, 'do not speak for themselves'.) Which is where the skilful knitting comes in. The bare-bones history of Richard and Margaret Byrne, a convict couple who were among the Rocks' earliest colonial inhabitants, is enriched by details of `the little things' that fell through their floorboards or were dropped in the yard: lace-making pins, shards of a handsome meat platter, fragments of clay tobacco pipes, children's marbles and part of a painted doll.
    The early chapters, with their insights into individual houses and occupants, go some way towards delivering on the cover blurb's promise of a 'fascinating narrative' and the publishers' claim that Inside the Rocks is '[b]etter than a soap opera'. The details of inner-city living before the advent of the garbo and the night-soil man are splendidly sordid. Archaeologists were not surprised (were pleased, in fact) to find that early householders stashed their rubbish in the shallow space under the floor. But a couple of gruesome discoveries revealed that even deceased pets (specifically, 'medium-sized dogs') were disposed of in this way. It doesn't bear thinking about.


Incomplete:

Robyn Annear was a volunteer on an archaeological dig in central Melbourne ten years ago. She is author of Bearbrass: Imagining Early Melbourne and Nothing But Gold: The Diggers of 1852.


Return to September 1999 /Letter to the Editor / Australian Book Review