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Paul Strangio
Keeper of the Faith: A Biography of Jim Cairns
MUP, $49.95hb, 464pp, 0 522 85002 2
FIRST,
A DISCLAIMER. Since 1975 I've had a sneaking affection for Jim Cairns.
At that time, I was flirting with various environmental causes
as you do at the age of nine. I circulated some petitions at my
primary school calling for the preservation of the Tasmanian south-west
from its concrete-crazed Hydroelectricity Commission.I forwarded
these to a string of political power-brokers, identified rather
shrewdly by their appearances on the ABC news.
The
Queen, unfortunately, was a bit busy. So, too, that funny-sounding
Mr Whitlam, who didn't even sign his reply. But Mr Cairns
why, he couldn't have been nicer. He admitted he didn't know much
about the Gordon and Franklin Rivers, but promised to look into
the many interesting facts I had brought to his attention, all of
them carefully cribbed from Four Corners. What I remember
most, though, was the physical letter. It was on a slightly wacky
yellow notepaper with some exotic hippy letterhead, and was so strewn
with errors and crossings-out that the postscript read: 'With apologies
for my typing.'
Although my mum commented with asperity that Junie Morosi must have
had the day off, that letter from Jim Cairns rather endeared him
to me then. It still does. And it was obvious at the launch of Paul
Strangio's new biography of Jim Cairns, held at Melbourne Trades
Hall, that the personal touch and radical accent that he lent politics
throughout the 1960s and 1970s had touched many other lives. The
atmosphere, as it often is at such occasions, was unabashedly nostalgic
and uniformly disillusioned. Thank God for the Labor Party. Wasn't
it wonderful? It was easy to share the general feeling of exultant
dejection. Politics has been transfigured beyond recognition. In
the good old days, WWF stood recognisably for Waterside Workers'
Federation; now it's the World Wildlife Fund at best, and more likely
the World Wrestling Federation. Nowadays, too, you tend to think
that Cincinnatus could get on with his ploughing; politics being
a career rather than a calling, the gifted outsider is unwelcome.
All of which makes Strangio's task as a biographer more, rather
than less, difficult: how to reconcile his obvious sympathy for
the values of the old Left with the need to assess Cairns's career,
which was an heroic failure.
Actually, on one level, Strangio makes a pretty good fist of this.
He is not afraid to judge his subject. I cringed inwardly at the
author's promise in the Introduction to deploy tools of 'psycho-biography'
in Keeper of the Faith, but was pleasantly surprised at how
deft and undogmatic were their application. Strangio is fortunate
to have had access to the notes of Cairns's previous biographer,
Paul Ormonde, and transcripts of interviews to which Cairns agreed
thirty-four years ago with a Monash psychologist, John Diamond;
Cairns was disarmingly candid with both, especially Diamond. It
emerged that the man who, on the podium and in parliament, could
appear remote was, in real life surprise, surprise
remote. 'The whole thing is a story of not much involvement with
people,' Cairns said of his life. 'There was certainly no time when
I was different.' Given that Cairns spent his political career consumed
by concern for 'the people' and 'society', there is something desperately
poignant about how abstract these concepts remained in his quotidian
affairs. Strangio describes Cairns expertly, though not unsympathetically,
as 'a permanent emotional refugee', his 'grand schemes for humanity'
a means of avoiding 'personal contemplation', reinforced by 'a subtle
narcissism, most conspicuously reflected in a vanity that he could
change the world'. If this sounds astringent, it's no more so than
some of Cairns's own occasional self-reflections, such as the comment
in Oil in Troubled Waters (1976) that he had developed 'an
inward-looking kind of self-denial which made people think I was
unselfish and this became for me a favourable political image'.
Unfortunately,
the few concluding pages where Strangio meditates on Cairns's emotional
make-up are a long time coming. Elsewhere, Keeper of the Faith
makes rather turgid reading. Partly this is because Cairns, while
he did colourful things, was not himself a colourful man. His personal
austerity allowed for little humour and limited imagination. Strangio
quotes some 1952 correspondence involving G.D.H. Cole, who supervised
Cairns's doctorate, and John La Nauze, Cairns's boss in Melbourne
University's economic history department, concerning Cairns's suitability
for academic promotion. Cole thought Cairns 'not
an academic
type, nor is he a very clever man', though 'sensible and well-informed';
La Nauze agreed that Cairns was 'not an outstanding scholar of the
research kind', but 'a hard worker'. Strangio finds these remarks
'patronising', but they seem fairly acute.
Partly,
however, Strangio's book is burdened by not being a book. It is
a Ph.D. It has been edited to a degree but, frankly, should have
been completely rewritten. And I'd like to share here a personal
parti pris, not specific to Keeper of the Faith: the
practice of academic presses publishing Ph.Ds is demented. It accelerates
their marginalisation, panders to academic vanity and credentialism,
and leads us further down the twin paths of greater specialisation
and increased uniformity. Why are university publishing houses churning
out books with audiences of approximately three at best, including
the author's mum? There. I've said it.
To
repeat, this remark is not specific to Keeper of the Faith;
it's not the dreariest Ph.D redux I've read, perhaps because I have
always found its subject interesting. But it is, frankly, often
as not, a lifeless and repetitive reading experience. The phrase
'agent of social change', or some minor variation on it, must be
repeated a thousand times. The obvious, especially where it concerns
Cairns's ambivalence about organised democracy, is often laboured
to death. The book conveys little sense of what Cairns is like to
be with or to observe, of his personal tastes, of his opinions beyond
politics, or even if he has any. The book scarcely contains any
anecdotes, the stuff of life in biography. Instead, there are endless
slabs of quotes from press reports. One of the very few descriptive
comments concerns Cairns's 'trademark parliamentary style', which
was 'an impassive monotone, his face expressionless': it could describe
Strangio's utterly wooden prose.
This,
though, is more than a question of writing; it is a matter of vision.
Writing about people entails more than accommodating them on some
psychological continuum; it is about skill in conveying character,
and a fascination with the factors that foster it and the chance
happenings that inflect it. Strangio, for example, mentions a Sunbury
schoolmaster, John Rogers, whom fourteen-year-old Cairns esteemed,
and who gave him a copy of William Morris's News from Nowhere,
or An Epoch of Rest (1890). It was Cairns's first real exposure
to political thought, and should be a powerful moment in the story.
An alert narrator might be struck that Cairns's introduction to
socialism came not through a union pamphlet or a tract on political
economy, but through a utopian novel, given Cairns's subsequent
infatuation with various New Jerusalems. This narrator might also
note that Morris wrote News from Nowhere even as his six-year-old
Socialist League fell apart, given that Cairns was to find the path
to utopia similarly torrid. Perhaps we could learn more about the
utopian tradition of which News from Nowhere was a part,
for Morris's perfected pastoral England was a response to Edward
Bellamy's Looking Back 2000-1887 (1888), which had projected
a future world that was stark, impersonal and bureaucratic. Perhaps
we could learn something of Australia's particular place in utopian
thinking: here I am recalling Marilyn Butler's provocative Deakin
Lecture, 'Facing Two Oceans', last year. Something. Anything. But
Rogers, Morris and News from Nowhere go straight back to
nowhere in a paragraph.
Chances are that you're either nodding agreement at the moment,
or composing an outraged letter to the editor, so further comment
is superfluous. Essentially, Paul Strangio has completed a quite
satisfactory thesis. But it's a thesis. And a thesis is a research
assignment completed in pursuance of a qualification, involving
perusal by one or more examiners. It is, in other words, an academic
talking to other academics, usually in the clunking, creaking, monotonous
vernacular of modern Humanities departments. Keeper of the Faith
stands a better chance than most réchauffé
Ph.Ds of reaching an audience beyond the groves of academe. Cairns
still enjoys great goodwill in his generation and, if the atmosphere
at Trades Hall was anything to go by, tales of political disillusionment
strike a particular chord with erstwhile true believers these days.
But the reason I remember Jim Cairns's letter all these years later
is because it was personal, arresting, distinctive, unusual: all
the things that his biography isn't.
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